Short Order Cooks Cover Image

Short Order Cooks: String Orchestra Conductor Score

$6.00 USD
Sale price  $6.00 USD Regular price 
Skip to product information
Short Order Cooks Cover Image

Short Order Cooks: String Orchestra Conductor Score

By David Bobrowitz

Grade: 2.5

Item: 36-50255206

$6.00
Shipped

One moment…

Description
A short order cook is a professional who cooks and serves food rapidly and to order. They often work on a large flat-top griddle and work on multiple orders at a time. It is estimated that there are over 150,000 short order cooks in the USA. During a busy eating time, these cooks work with great speed under lots of pressure. The music captures the constant energy of the job. After a brief pizzicato introduction, the A section starts at bar 15. Bar 39 marks the B section played with the bow in contrast to the pizzicato A. Bar 66 marks a return to pizzicato and the A section. A brand-new melody is heard at bar 89, and it leads to a return of A at bar 121. A short coda, starting bar 144, takes us to a fun ending. There are so many great teaching concepts in this piece: sudden dynamic changes, accents, crescendos, and after-beat rhythms to mention a few. Best of all, it's a really fun piece by David Bobrowitz which will be enjoyed by both musicians and audience. (3:00)

Short Order Cooks: String Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852347-2
ISBN13: 979-8-88-852347-6
UPC: 676737634674
SKU: 36-50255206
Instrumentation: String Orchestra

More about this title

About the Composer: David Bobrowitz

David Bobrowitz has built a reputation as a composer who draws inspiration from everyday life and translates those observations into engaging orchestral music. His works for developing ensembles demonstrate a keen understanding of what motivates young musicians: clear narratives, rhythmic vitality, and teachable moments that don't feel didactic.

Why we love this

Bobrowitz captures genuine workplace energy without relying on cute gimmicks. The contrast between pizzicato and arco sections gives young orchestras a clear structural anchor, and the sudden dynamic shifts and accents demand real musical maturity from players who might otherwise coast through a Grade 2.5 piece.

What to expect

Controlled chaos. The piece hums with productivity and pressure, opening with sharp pizzicato stabs that feel like orders being called out. When the bow enters, there's a moment of calm before the return to the kitchen rush, building urgency and intensity until the satisfying coda sends everyone home.

Who it's for

String orchestras at the Grade 2.5 level looking for repertoire that combines rhythmic energy with technical learning opportunities. Directors teaching sudden dynamic changes, articulation control, and the interplay between pizzicato and arco will find plenty to unpack with this ensemble.

How to get the most out of it

  • Nail the rhythmic precision of the pizzicato sections by having the entire section pluck together on beat. Lock this in before adding any dynamics or accents.
  • The B section's bow work at bar 39 deserves rehearsal time separate from the pizzicato material. Treat the shift as a genuine textural change, not just a switch in technique.
  • Push the after-beat rhythms in the A sections. These syncopations are what make the cooking frenetic; rhythmic clarity here drives the whole piece.
  • Shape the new melody at bar 89 with intention. It's a brief respite from the frenzy, so bring warmth and slight rubato before the final push back to A.

How to use it

This works beautifully as an opener for a concert focused on contemporary light works or a program celebrating working people and everyday stories. At just over three minutes, it pairs well with a longer classical piece or a longer contemporary work, giving your concert pacing and contrast without demanding much rehearsal time.

Skills your students will build

  • Sudden dynamic changes and accent execution
  • Pizzicato-to-arco transitions and textural contrast
  • After-beat rhythms and syncopation
  • Sustained crescendos across phrase lengths
  • Articulation clarity in rapid figurations

You May Also Like