Short Cuts for Beginning Band -- Vol. 5 Cover Image

Short Cuts for Beginning Band -- Vol. 5: Concert Band Conductor Score

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Short Cuts for Beginning Band -- Vol. 5 Cover Image

Short Cuts for Beginning Band -- Vol. 5: Concert Band Conductor Score

Featuring: Treasure / Eye of the Tiger / Havana / And All That Jazz

Various / arr. Michael Story

Grade: 1 (Very Easy)

Item: 00-46615S

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Description
A sure fit for your beginners using just the basics, this suite features Bruno Mars' "Treasure," "Eye of the Tiger" from Rocky III, Camila Cabello's "Havana," and closes with "And All That Jazz" from Chicago. Each theme is focused toward a specific instructional objective and is extremely performable. The tunes can be programmed all at once or throughout your school year.

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Additional Details
Series: Pop Beginning Band
Publisher: Alfred Music
Page Count: 28
ISBN10: 1-4706-5360-5
ISBN13: 978-1-4706-5360-6
UPC: 038081537122
SKU: 00-46615S

More about this title

About the Arranger: Michael Story

Michael Story is an arranger and composer with deep roots in music education. His work for beginning and intermediate bands demonstrates a keen understanding of what young musicians need to succeed: accessible writing, engaging repertoire, and clear instructional purpose without sacrificing musicality.

Why we love this

Story builds each arrangement around a specific pedagogical objective, so your students aren't just playing catchy tunes; they're developing concrete skills through music they actually want to play. The mix of contemporary pop and beloved film/theater standards keeps rehearsals energized while maintaining artistic integrity at Grade 1 level.

What to expect

Modern and approachable. Story arranges these pop hits and film standards with the energy they deserve while keeping the voicing transparent and playable. There's a real concert feel here, not a watered-down version; young musicians feel like genuine performers, not students trudging through exercises.

Who it's for

Beginning concert bands (Grade 1) ready for contemporary repertoire beyond traditional method books. Directors who need performance-ready arrangements that work across a full school year, whether staged all at once for a pops concert or spread throughout your calendar as rewards and rehearsal motivators.

How to get the most out of it

  • Balance the melody line across your sections. Since these are familiar tunes, players may rush or drag unconsciously; lock in with a metronome during sectionals and mark tempo reference points in the score.
  • Attend to articulation markings carefully, especially where pop style demands a lighter touch. Many young musicians default to legit tonguing; highlight sections where Story uses staccato or accent marks to define character.
  • Bring out inner voices and countermelodies where they appear. Beginning band players often focus only on their own part; quick sectional work on how parts fit together prevents blend issues and builds ensemble awareness.
  • Let dynamics tell the story. Even at this level, the difference between mf and f creates shape; coaching students to hear and respond to dynamic contrast elevates the performance significantly.

How to use it

Schedule this suite for a dedicated pops concert in spring, or distribute the movements across your year as teaching tools and morale boosters. The suite works equally well as a cohesive program or as individual selections programmed alongside classical pieces to show the breadth of your ensemble's range.

Skills your students will build

  • Reading and executing pop articulation styles (light tonguing, staccato, accent marks)
  • Balancing melody and supporting voices within a single arrangement
  • Understanding how contemporary music relies on rhythmic precision and groove
  • Responding to dynamic contrast and phrase shape in familiar melodies
  • Building confidence through performance-ready, audience-friendly repertoire

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