Shepherds, Go Tell!: SATB Choral Octavo
Rise Up Shepherds and Follow / Go Tell It on the Mountain
Arr. Sally K. Albrecht
Item: 00-PO-0006500
Minimum order quantity: 20 copies
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About the Arranger: Sally K. Albrecht

Sally K. Albrecht has shaped American choral education for over four decades through her work as a composer, conductor, and publisher. Her catalog exceeds 600 choral publications alongside 75 larger works for stage and concert, earning her annual ASCAP recognition since 1987. She spent more than thirty years directing school choral and vocal publications at major educational music houses, most recently at Alfred Music, while also conducting honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She has taught at Oakland University, Jersey City State College, and Meredith College. Recognized as a leader in her field, she served as Chair of the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and received their "Pillar of Leadership" award. In 2021, both the University of Miami Frost School of Music and Rollins College honored her with Distinguished Alumna Awards.
Why we love this
Albrecht pairs two beloved Christmas spirituals in a single arrangement that works across skill levels without feeling condescending. The writing respects young singers' voices while the driving piano accompaniment carries enough energy to sustain a full rehearsal room. A touch of solo opportunity adds personality without overloading any one student.
What to expect
Two spirituals woven together create warmth and movement. The arrangement builds momentum through the piano's rhythmic drive while keeping vocal lines singable and clear, resulting in music that feels both celebratory and grounded in genuine choral tradition.
Who it's for
This arrangement serves choral directors working with mixed voices from elementary through high school. Whether you're building a holiday concert from scratch or adding depth to an existing program, the accessible vocal lines mean your ensemble can prepare it without extensive rehearsal time while still delivering a polished performance.
How to get the most out of it
- Balance the piano accompaniment carefully in rehearsal; it provides rhythmic propulsion but should never cover the choir's lines. Recording yourself at full volume during sectionals helps singers hear how they fit over that energy.
- Plan your movement and staging early. The octavo notes staging options, and blocking these moments in advance prevents last-minute scrambling when your concert approaches.
- Spotlight your solo vocalist at least two weeks before performance. Even one brief moment deserves confidence and comfort; extra rehearsal time with that singer pays off visibly.
How to use it
Use this as an anchor piece in your Christmas concert, especially if you're pairing it with secular seasonal material; it carries enough substance to stand alongside other substantial works. The brief solo makes it an excellent choice for spotlighting an emerging student singer without the risk of a full-length feature.
Skills your students will build
- Singing spirituals with authentic phrasing and style
- Balancing individual voice parts against rhythmic piano accompaniment
- Confidence performing with movement and staging as part of ensemble presentation
- Blend and intonation across SATB voicing in a mixed-ability group