Shepherds, Go Tell! Cover Image

Shepherds, Go Tell!: Choral SoundPax

$25.00 USD
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Shepherds, Go Tell! Cover Image

Shepherds, Go Tell!: Choral SoundPax

Rise Up Shepherds and Follow / Go Tell It on the Mountain

Arr. Sally K. Albrecht

Item: 00-18661

$25.00
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Description
Two favorite Christmas spirituals are combined into one exciting arrangement for choral groups at every level from elementary through high school. Comfortable vocal lines and ranges highlight this work; the piano provides the drive. One brief solo. InstruPax includes: director's score, 2 trumpets, 2 trombones, 2 French horns (opt. saxes,) rhythm, percussion, synthesizer.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081173016
SKU: 00-18661
Instrumentation: SoundPax

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has built a prolific career as a composer and arranger with deep roots in choral education. Since 1987, she has received consecutive ASCAP Special Music Awards and published over 600 choral works alongside 75 larger musicals and songbooks. Her experience spans decades as Director of School Choral and Vocal Publications for major educational publishers, including her tenure at Alfred Music, combined with conducting assignments at prestigious venues such as Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht's academic background includes degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami, where she earned both an M.A. in Drama and an M.M. in Accompanying. She has taught at Oakland University, Jersey City State College, and Meredith College. In recognition of her contributions to music education and leadership, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021. She resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht's gift for combining accessibility with musicality shines here: two beloved spirituals coexist in one arrangement without feeling forced or overstuffed. The writing respects young voices while giving strong instrumental support that makes the piece sound fuller and more confident than the vocal parts alone would suggest. Directors will appreciate how the optional brass and instrumentation lets you scale the arrangement to your resources without compromising the arrangement's energy.

What to expect

This arrangement radiates warmth and celebration without losing the spiritual gravity of the source material. The piano drives forward with purpose while the choir's voices sit comfortably in the middle of the range, creating an inviting, joyful sound that feels both familiar and freshly arranged.

Who it's for

Elementary through high school choirs of mixed ability levels will find this arrangement approachable. The comfortable vocal ranges and straightforward vocal writing make it accessible for younger or less experienced singers, while the arrangement's overall musicality and optional instrumentation offer depth for more advanced ensembles.

How to get the most out of it

  • Balance the brief solo carefully in rehearsal; the singer should be comfortable and supported by the piano, not exposed. Run it multiple times to build confidence.
  • Work the rhythmic drive of the piano part separately with your accompanist before combining with voices. This piece thrives on forward momentum.
  • If using the optional brass parts, bring them in during a final rehearsal cycle to ensure the choir stays grounded in the vocal line while the instrumentation adds texture.
  • Pay attention to the movement and staging cues in the score; Albrecht's choreography ideas enhance the spiritual's narrative without overwhelming young performers.

How to use it

Pair this with other spirituals or Christmas repertoire for a themed concert segment, or use it as an accessible holiday opener that builds audience goodwill early. The optional instrumentation also makes it a strong choice for programs where you want to highlight both your choir and your instrumental ensemble without requiring separate pieces.

Skills your students will build

  • Singing sustained phrases with rhythmic precision while maintaining vowel consistency
  • Blending voices within a spiritual style that emphasizes both clarity and warmth
  • Responding to instrumental accompaniment and optional brass parts without losing independence
  • Executing movement and staging cues as integral to the performance
  • Singing a brief solo with confidence and musical expression

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