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Sheep May Safely Graze: String Orchestra Conductor Score & Parts

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Sheep May Safely Graze Cover Image

Sheep May Safely Graze: String Orchestra Conductor Score & Parts

Traditional / arr. Rick England

Grade: 3

Item: 00-26572

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Description
Composed by Johann Sebastian Bach in 1713, the secular cantata Was mir behagt, is nur die muntre Jagd BWV 208 is the most famous of all Bach's arias. Arranged by Rick England, this string orchestra arrangement includes all the familiar elements assembled to showcase each instrument in a prominent role. Designed to be accessible in orchestra-friendly keys and scored for success at any performance. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sheep May Safely Graze: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 31
UPC: 038081292816
SKU: 00-26572

More about this title

About the Arranger: Rick England

Rick England has established himself as a trusted arranger for school string orchestras, with a particular gift for making standard repertoire accessible without sacrificing musical integrity. His arrangements prioritize clarity and balance, ensuring that younger orchestras can perform with confidence while maintaining the character of the original work.

Why we love this

England's arrangement respects Bach's melodic genius while solving real orchestration challenges for student players. Every section gets a moment to shine, which builds ensemble confidence and keeps rehearsals engaging across all stands. The orchestra-friendly keys mean you're not fighting intonation battles that would overshadow the beauty of the music.

What to expect

The piece radiates the calm certainty of its text, a pastoral moment of safety and contentment set to Bach's most lyrical melody. Beneath the serene surface lies intricate voicing that asks each section to listen closely to its neighbors, creating an intimacy that grows as the ensemble settles into the familiar harmonic language. The overall effect is one of grace and refinement.

Who it's for

String orchestras at the intermediate level will find this arrangement both rewarding and manageable. Directors seeking a substantial Bach work that showcases their ensemble's musicianship without requiring advanced solo technique will value England's balanced scoring. This is ideal for orchestras building their classical music repertoire.

How to get the most out of it

  • Shape the opening phrase with clear articulation in the first violins; let the accompanying voices provide steady harmonic support rather than competing for attention.
  • Balance the inner voice entrances carefully during the middle sections so each orchestral choir (first violins, second violins, violas, cellos, basses) can be heard without pushing.
  • Use the written dynamic range to shape longer phrases; resist the temptation to play everything at a consistent volume level, which flattens Bach's contrapuntal writing.
  • Establish a steady, unhurried tempo that allows the Baroque phrasing to breathe naturally; Bach's dance-like character emerges when you resist rushing.

How to use it

Program this as a concert opener or a gentle contrast to more energetic contemporary works. Its 31 pages and Grade 3 accessibility make it suitable for festival performances or spring concert programming when your ensemble has solid fundamentals in place. It pairs naturally with other Baroque selections or with music from the same Highland/Etling series.

Skills your students will build

  • Baroque phrasing and articulation conventions
  • Inner voice independence in polyphonic textures
  • Ensemble balance across four or five orchestral choirs
  • Intonation sensitivity in sustained harmonic progressions
  • Melodic line projection in a secondary role

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