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See That Baby: SATB <i>a cappella</i> Choral Octavo

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See That Baby Cover Image

See That Baby: SATB a cappella Choral Octavo

Words and music by Jay Althouse

Item: 00-38035

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Description
Your SATB choir will sound vibrant performing this memorable, a cappella Christmas spiritual. Features strong dynamic contrasts, short solos, and a touch of "Go, Tell It on the Mountain."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, See That Baby: SATB a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081425078
SKU: 00-38035

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was recognized with the Distinguished Alumni Award. His career in music publishing gave him eight years of experience administering rights and licenses, and he served on the Executive Board of the Music Publishers Association of America during that tenure.

As a prolific composer of choral music, Althouse has more than 800 works in print for choirs across all levels, performed regularly throughout the English-speaking world. He holds membership in ASCAP and has received the ASCAP Special Award multiple times for his compositions. Beyond composing, he has co-written children's musicals with his wife Sally K. Albrecht, created widely used vocal collections and instructional resources for music classrooms, and co-wrote the choral work I Hear America Singing, which was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. Althouse resides in Wake Forest, North Carolina, where he serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse captures the spirit of a Christmas spiritual with genuine warmth while giving your singers concrete moments to shine. The dynamic range and solo opportunities keep the ensemble engaged, and the familiar reference to "Go, Tell It on the Mountain" grounds the piece in a musical tradition your singers will recognize and respect.

What to expect

The piece breathes with the authentic warmth of the spiritual tradition, grounded in strong harmonic movement and punctuated by moments of real vulnerability in the solo passages. The dynamic contrasts create movement and energy, building from intimate singing to full ensemble power and back, while the melodic connection to "Go, Tell It on the Mountain" gives listeners an anchor point in familiar musical territory.

Who it's for

This octavo works well for SATB choirs at the intermediate to advanced level who are comfortable with a cappella singing and can handle the rhythmic and harmonic independence required by the spiritual style. Directors seeking a substantial Christmas offering that avoids overused repertoire while maintaining accessibility for mixed ensembles will find this a natural fit.

How to get the most out of it

  • Shape the dynamic contrasts deliberately. These shifts between soft and full-voiced passages create the emotional arc of the spiritual tradition, so commit fully to both ends of the spectrum rather than settling into a comfortable middle ground.
  • Balance the short solos carefully against the ensemble. These moments need clarity and presence without overshadowing the group; use light accompaniment from the other voice parts to support each soloist.
  • Treat the a cappella texture as an opportunity to refine tuning and blend across all four parts. Without instrumental support, even small intonation drift becomes audible, so dedicating rehearsal time to vowel matching and harmonic listening pays immediate dividends.

How to use it

Position this as a centerpiece in a Christmas program where it can anchor a set of spirituals or sacred music, or use it as a standalone feature that demonstrates your choir's ensemble control and a cappella capability. The 16-page score offers enough substance to justify a prominent place in your concert order without requiring instrumental accompaniment or additional staging.

Skills your students will build

  • A cappella ensemble singing with attention to blend, balance, and intonation
  • Dynamic control across the full range from soft to full voice
  • Reading and executing solo passages within a group context
  • Interpreting spiritual style through phrasing, articulation, and rhythmic sensitivity

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