Second Concerto for Faculty and Band Cover Image

Second Concerto for Faculty and Band: Concert Band Conductor Score

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Second Concerto for Faculty and Band Cover Image

Second Concerto for Faculty and Band: Concert Band Conductor Score

By James D. Ployhar

Grade: 2 (Easy)

Item: 00-BD00806C

$10.00
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Description
Four or more faculty members step into the spotlight as percussion soloists, and they play (at least most of the time) with your concert band. Little musical talent is necessary for the soloists, just a jumbo-sized sense of humor. Create a true "light spot" in your next concert.

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 12
UPC: 654979013853
SKU: 00-BD00806C

More about this title

About the Composer: James D. Ployhar

James D. Ployhar

James D. Ployhar stands among the most prolific voices in music education, with more than 800 published works spanning multiple genres and ensemble types. His compositional training under Morris Hutchings Ruger at California State University-Long Beach, combined with orchestration study with Knud Havalde of the Danish Royal Philharmonic Orchestra, shaped a distinctive approach to writing for student musicians. He authored the Contemporary Band Course, now published by Alfred Music, which has been translated into French and Norwegian and remains widely used in Norwegian schools.

Across nearly two decades of public school teaching and subsequent leadership as a clinician and conductor, Ployhar earned recognition for advancing the quality of band literature at accessible levels. His works have been performed internationally across Europe, Japan, and the Pacific Rim, and broadcast on network television. He holds degrees from Valley City State University and Northern Colorado University, and has received the National Band Association Citation of Excellence and the Distinguished Alumnus Award from his undergraduate institution. His conducting and educational workshops have been welcomed throughout North America and Europe.

Why we love this

This piece transforms a concert into genuine entertainment by letting faculty members take center stage with percussion instruments and humor as their primary tools. Band directors consistently discover that audiences remember these moments far longer than polished classical selections, and students gain insight into how musical performance can be playful without sacrificing musicianship. The Grade 2 scoring ensures the ensemble supports rather than overwhelms the soloists, allowing four or more faculty musicians (regardless of percussive training) to shine in a true "light spot" that breaks up the formal flow of a program.

What to expect

This piece walks the line between genuine musicality and deliberate absurdity. The band provides a competent, straightforward accompaniment while faculty soloists navigate their percussion parts with varying degrees of confidence, creating moments of comic timing that land best when the ensemble plays it completely straight. The overall effect is one of surprise and delight, as the audience realizes the concert has taken a turn toward levity without losing its musical foundation.

Who it's for

Concert band directors seeking an audience-friendly novelty piece that engages faculty members and creates a memorable program highlight. This works equally well in elementary and middle school settings, where the humor lands universally and the Grade 2 band scoring keeps rehearsal time manageable. It appeals to directors who view their concert as a community event rather than a formal recital.

How to get the most out of it

  • Select faculty soloists who embrace comedic timing and stage presence rather than percussion virtuosity. Their willingness to commit to the humor elevates the entire effect.
  • Encourage soloists to rehearse with the band beforehand so entrances and exits feel integrated rather than awkwardly tacked on. Even minimal rehearsal time prevents distracting false starts.
  • Seat the percussion soloists where they remain visible to the conductor and audience throughout. The visual element of watching non-musicians attempt percussion adds to the entertainment value.
  • Establish clear cueing with the band prior to performance. Your eye contact and gesture work as a conductor will guide the soloists through unfamiliar territory far more effectively than written notes alone.

How to use it

Slot this strategically near the middle or toward the end of your concert, after you have established the band's serious credentials with stronger repertoire. It serves as a palate cleanser between substantial works and gives audience members a chance to laugh and reset before the final selection. The 12-page score means minimal preparation time, making it practical for programs where you need an effective closer without extensive additional rehearsal demands.

Skills your students will build

  • Maintaining ensemble cohesion and steady tempo while adapting to unpredictable soloists
  • Accompanying non-standard soloists with flexibility and support
  • Grade 2 concert band fundamentals (part independence, balanced voicing, dynamic control)

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