Sea Shanty Play-Alongs for Soprano, Alto & Tenor Saxophone Cover Image

Sea Shanty Play-Alongs for Soprano, Alto & Tenor Saxophone: Saxophone Book, CD & Online Audio

$16.99 USD
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Sea Shanty Play-Alongs for Soprano, Alto & Tenor Saxophone Cover Image

Sea Shanty Play-Alongs for Soprano, Alto & Tenor Saxophone: Saxophone Book, CD & Online Audio

Ten Sea Shanties to play along. From Aloha 'Oe‚ La Paloma, Santiana via Sloop John B., The Drunken Sailor to The Wellerman and many more.

By Vahid Matejko

Item: 00-20303US

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Description
It is not only the great success of Nathan Evans' re-release of "The Wellerman" on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with "Vahid Matejko's Sea Shanty Play-Alongs" there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano). The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings. Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: - a demo-track which features a live soprano recorder performance by the German specialist for pop/rock/jazz recorder Tobias Reisige and - a minus-one mix for you to play-along.

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Additional Details
Series: Sea Shanty Play-Alongs
Publisher: Alfred Music
Page Count: 52
ISBN10: 3-947998-51-1
ISBN13: 978-3-947998-51-7
UPC: 038081558288
SKU: 00-20303US
Instrumentation: B-flat Soprano / Tenor Sax, E-flat Alto / Baritone Sax

More about this title

About the Arranger: Vahid Matejko

Vahid Matejko is an arranger and composer known for creating accessible, stylistically diverse instrumental arrangements that engage students and audiences alike. His work across multiple genres—from pop and rock to Latin and orchestral—demonstrates a gift for maintaining musical integrity while opening repertoire to a broad range of ensemble types and ability levels.

Why we love this

Matejko has crafted arrangements that feel genuinely musical rather than simplified, with individualized parts and solos that give saxophonists real material to sink their teeth into. The stylistic variety across ten titles means your section stays engaged; you're not playing the same groove twice. And the dual recording format (demo plus minus-one) lets students hear themselves in context without being buried under a wall of sound.

What to expect

These arrangements capture the wanderlust and adventure embedded in sea shanties while infusing them with contemporary energy. You'll encounter rock drive, Latin swing, funk grooves, and lush orchestral textures, all anchored by the lyrical storytelling that made these songs enduring. The mood shifts with each title, keeping the journey fresh.

Who it's for

This collection is built for saxophone students who are ready to explore beyond standard method book exercises but don't need to tackle concert band literature yet. Intermediate players in school ensembles, jazz bands, or private studios will find genuine musical challenges and the confidence boost of playing live-recorded accompaniments.

How to get the most out of it

  • Establish the rhythmic pocket early. Listen closely to the bass and drums on the accompaniment track during rehearsals so your section locks in rather than fighting the groove.
  • Pay attention to Matejko's written articulations and dynamics; they're intentional markers of style. A funk arrangement demands different tonguing and phrasing than an orchestral one.
  • Use the demo track to absorb phrasing and tone color from the soprano recorder solo before moving to your own part. Even though you're playing saxophone, the melodic approach transfers directly.
  • In ensemble sections, blend the voicing by listening to both your own part and the surrounding harmonies on the accompaniment. The polyphonic backing is richer when all voices lock.

How to use it

Consider programming these in a casual concert setting or community event where the nautical theme and rhythmic energy feel at home. They also work well in a spring or winter concert as a stylistic break from traditional band repertoire, or use individual titles as soloists' features during rehearsal showcases to build confidence.

Skills your students will build

  • Interpreting stylistically varied articulations and phrasings (rock, Latin, funk, big band, orchestral)
  • Playing in ensemble while maintaining individual voice independence within polyphonic textures
  • Coordinating with recorded rhythm sections and responding to groove-based accompaniments
  • Reading and executing written solos with musical intention
  • Blending soprano, alto, and tenor saxophone parts across a wide range of registers

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