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Scherzo Diabolique: 3 Alto Saxophones Score & Parts

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Scherzo Diabolique Cover Image

Scherzo Diabolique: 3 Alto Saxophones Score & Parts

By Kevin Kaisershot

Level: Medium

Item: 81-SQ2318

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Description
Scherzo Diabolique is a diabolical display of notes and rhythms designed to showcase the technical skills of the trio who performs it. It is a relentless foray into a facile-fingered fold. While initially sounding sinister, it takes on a light-hearted respite during the oasis that is the relative major. Not to be outdone, the diabolical nature returns with a vengeance to send this piece to its furious conclusion. The piece is dedicated to Mary Kay Godfrey, who provided the materials necessary to complete this composition.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-863-0
ISBN13: 978-1-55472-863-3
UPC: 685462007868
SKU: 81-SQ2318
Instrumentation: 3 Alto Saxophones

More about this title

Why we love this

Kaisershot writes with real understanding of what makes alto saxophones sing together. The piece gives each player equal weight in the trio texture, so no one gets left holding a harmonic pad while others grab the spotlight. It's the kind of writing that makes players feel heard.

What to expect

Scherzo Diabolique opens with menace, all angular rhythms and darkly voiced lines that feel almost sinister. Then it pivots to something almost playful in the relative major section, creating contrast that makes the final return to chaos feel earned and exhilarating.

Who it's for

This trio works best with advanced high school players or college-level musicians who've built serious technique. It demands precision, endurance, and the ability to maintain clarity at rapid tempos across all three voices.

How to get the most out of it

  • Treat the sinister opening section like a single organism rather than three independent voices. Lock the rhythmic figures together first, then layer in articulation nuance.
  • The relative major section genuinely offers relief from the technical onslaught. Don't rush it; let the lighter character breathe and give your players a moment to reset before the return.
  • Fingering passages in the diabolical sections will demand advance preparation. Map out fingering options during rehearsal so each player can find what works for their hand position and speed.

How to use it

This works beautifully as a standalone feature for a chamber music concert or as an exciting closer to a woodwind trio showcase. Its combination of technical display and musical storytelling makes it compelling enough to anchor a short program on its own.

Skills your students will build

  • Fast fingerwork and passage work at tempo
  • Rhythmic precision and coordination across three parts
  • Articulation clarity during rapid technical sections
  • Balance and blend in homophonic trio writing
  • Tonal control through contrasting musical characters

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