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Scarlatti: An Introduction to His Keyboard Works: Piano Book

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Scarlatti: An Introduction to His Keyboard Works: Piano Book

By Domenico Scarlatti / ed. Margery Halford

Level: Intermediate / Late Intermediate

Item: 00-666

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Description
This carefully edited volume contains 19 of Scarlatti's easiest pieces, including minuets, sonatas and assorted other works. Suggestions for interpretation and a discussion of the original editions are provided. Unique to this collection is a consideration of figured bass as used in several of Scarlatti's sonatas. A Federation Festivals 2020-2024 selection.

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Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-2215-6
ISBN13: 978-0-7390-2215-3
UPC: 038081032733
SKU: 00-666

More about this title

About the Composer: Domenico Scarlatti

Domenico Scarlatti (1685–1757) was one of the most prolific and inventive keyboard composers of the Baroque era, leaving behind over 500 sonatas that fundamentally expanded the technical and musical possibilities of the harpsichord. Trained in Italy and later employed at the Spanish royal court, he developed a distinctive compositional voice that balanced the learned traditions of counterpoint with brilliant keyboard figurations, rapid hand crossings, and unexpected harmonic turns that anticipated later stylistic developments.

For keyboard students and teachers, Scarlatti's work occupies a crucial position in the repertoire. His sonatas bridge the gap between the polyphonic world of Bach and the emerging Classical style, offering performers a chance to develop fluency, finger independence, and musical sophistication while engaging with music that remains genuinely rewarding to play and hear.

Why we love this

This collection strips away the assumption that Scarlatti requires advanced technique, presenting nineteen works that capture his wit, elegance, and harmonic surprises without the dramatic hand crossings and virtuosity of his most famous sonatas. The editorial apparatus here is particularly strong: the guidance on interpretation and the attention to figured bass demystify period conventions and invite students into the composer's actual thinking, rather than asking them to simply execute notes on a page.

What to expect

Scarlatti's keyboard writing has a conversational, almost improvisational quality that keeps both player and listener alert. These pieces sparkle with unexpected harmonic colors, playful rhythmic figures, and moments of tenderness, all delivered in a musical language that feels both historically rooted and immediately engaging.

Who it's for

This book serves late intermediate pianists who are ready to engage with Baroque keyboard literature but may not yet have the facility for the most technically demanding Scarlatti sonatas. It also works well for students preparing for festival or competition play, since these pieces offer sophistication and genuine musical interest at an accessible level.

How to get the most out of it

  • Listen closely to the figured bass realization provided in this edition; understanding the harmonic foundation will clarify voicing and help you shape phrases with stronger architectural awareness rather than relying on pedal or dynamic contrast alone.
  • Approach rhythmic precision as a musical tool, not just mechanical accuracy. Scarlatti's figuration often relies on crisp articulation and clear rhythmic placement to create drive and character.
  • Experiment with the editorial suggestions for ornamentation and tempo modification. Baroque style is not inflexible, and this collection invites you to understand the reasoning behind interpretive choices rather than treating them as rules.
  • Pay attention to hand position and finger independence when executing passages with repeated notes or rapid scalar movement. Scarlatti's keyboard writing often exposes and develops these technical foundations.

How to use it

Pair these works with other Baroque keyboard pieces to demonstrate the range of compositional approaches within the era, or program a Scarlatti sonata alongside a simple aria or dance to show the breadth of keyboard music available at the intermediate level. These pieces also serve students well in recital or festival contexts where a performer needs music that demonstrates musical maturity without requiring professional-level technical demands.

Skills your students will build

  • Baroque ornamentation and articulation
  • Hand independence and finger agility
  • Reading and interpreting figured bass notation
  • Harmonic analysis and voice leading awareness
  • Stylistically informed interpretation of period conventions
  • Clarity and precision in scalar and repeated-note figurations

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