Say What? Cover Image

Say What?: Jazz Ensemble Conductor Score

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Say What? Cover Image

Say What?: Jazz Ensemble Conductor Score

By José Antonio Diaz / arr. Victor López

Grade: 2 (Medium Easy)

Item: 00-JEM03039C

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Description
Correlated to Jazz Expressions™ , Say What? focuses on the funk style and improvising on the Mixolydian jazz scale at the medium-easy level. Composed by Jose Diaz and arranged by Victor López, this chart is an opportunity for your band to play a contemporary groove and work on some jazz improvisation at the same time. There are only two chord progressions in this tune, so the improvisation skills needed are very accessible for young players. Optional parts are for flute, clarinet, horn, baritone horn, tuba, violin (2), viola, and cello. Jazz ensemble with string parts? You bet!

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Additional Details
Series: Jazz Expressions
Publisher: Alfred Music
Page Count: 28
UPC: 654979057970
SKU: 00-JEM03039C

More about this title

Why we love this

Say What? delivers exactly what young jazz ensembles need: a groove that feels genuinely contemporary and improvisation that doesn't overwhelm beginners. Two chord progressions mean students focus on musicality and phrasing rather than scrambling through changes, and the optional string parts open doors to programs that don't have traditional jazz instrumentation.

What to expect

Contemporary and laid-back, with a funk swagger that makes young players feel like they're playing something current and cool. The Mixolydian mode gives it a bluesy, soulful edge that connects jazz fundamentals to a sound students actually want to hear.

Who it's for

Grade 2 jazz ensembles ready to explore improvisation without the complexity of multi-chorus changes. This works particularly well for programs introducing students to jazz styles and for groups that include strings alongside traditional jazz instruments.

How to get the most out of it

  • Lock the groove as a section before introducing solo sections. The funk feel depends on precise rhythm section cohesion, especially between drums and bass.
  • Start improvisation work in rehearsal by having non-soloing players comp behind each other's attempts. This builds listening skills and removes pressure from soloists.
  • Let younger improvisers hear the Mixolydian sound in isolation first. Play the scale over the chord progression so they internalize the flavor before creating lines.
  • Balance the string parts carefully in the mix. They're optional, but when included, they anchor the harmonic foundation and free the traditional jazz voices to float on top.

How to use it

Place this in a jazz or contemporary music concert where you want to show repertoire range beyond swing standards. It pairs well with other funk or groove-based pieces and works as an effective closer or centerpiece that showcases ensemble musicianship.

Skills your students will build

  • Improvising on Mixolydian mode over a consistent harmonic framework
  • Playing and maintaining a funk groove with precision
  • Comp rhythms and harmonic support behind soloists
  • Reading conductor score notation and ensemble balance
  • Phrasing and listening skills in a groove-based context

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