Saxology CD, Vol. 1 Cover Image

Saxology CD, Vol. 1: Saxophone CD

$21.95 USD
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Saxology CD, Vol. 1 Cover Image

Saxology CD, Vol. 1: Saxophone CD

Featuring Jerry Bergonzi

By Saxology and Jerry Bergonzi

Item: 01-ADV9408

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Description
Saxology was originally formed in 1980, when the saxophone and rhythm sections of the top Eastman Jazz Ensemble got together. Since its beginning the group has received widespread acclaim including awards in 1981 and 1987 from Downbeat Magazine for the Best College Instrumental Jazz Group. Titles: Viper Cipher (Ramon Ricker) (6:37) * Times Lie (Chick Corea / arr. Ramon Ricker) (8:30) * Jones (Jerry Bergonzi / arr. Ramon Ricker) (6:09) * Gaviota (Clare Fischer / arr. Dirk Fischer / orch. Ramon Ricker) ( 7:35) * Creature Feature (Jerry Bergonzi / arr. Ramon Ricker) (6:51) * Prelude No. 5 (Bill Dobbins) (5:33) * Witch Hunt (Wayne Shorter / arr. Ramon Ricker) (7:48) * Black Narcissus (Joe Henderson / arr. Ramon Ricker) (7:08) * Evan's Dance (Bill Dobbins) (6:21) * Passing Glances (Ramon Ricker) (7:50).

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black Narcissus

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Additional Details
Series: Advance Music: Saxology
Publisher: Advance Music
UPC: 805095094084
SKU: 01-ADV9408

More about this title

About the Artist: Saxology

Saxology emerged from the Eastman School of Music in 1980 when the top players from the school's legendary jazz ensemble decided to collaborate as a dedicated saxophone and rhythm section outfit. The group's musicianship earned recognition from Downbeat Magazine in both 1981 and 1987 as the Best College Instrumental Jazz Group, establishing them as one of the most accomplished collegiate jazz ensembles of their era.

Why we love this

This recording captures genuine ensemble interplay at a high level of sophistication. The charts, many arranged by Ramon Ricker, showcase how saxophone sections can voice contemporary jazz material with clarity and blend while maintaining individual voices. Students hear what authentic small-group jazz sounds like when played by musicians who know each other's musical instincts.

What to expect

The music swings with the confidence of musicians who've played together extensively, moving fluidly between composed sections and solos. There's a conversational quality to the ensemble work, as if the saxophones are having a dialogue with each other and the rhythm section throughout each track.

Who it's for

This recording speaks to jazz ensemble students, saxophone quartets, and directors looking for models of small-group improvisation and contemporary jazz charts. Intermediate to advanced players benefit most from analyzing the harmonic sophistication and ensemble technique on display.

How to get the most out of it

  • Study the saxophone voicings in tracks like Gaviota and Black Narcissus to hear how voices lock together without sacrificing harmonic definition.
  • Listen to how Saxology balances solo moments with ensemble passages; this teaches the give-and-take required in combo settings.
  • Pay attention to the rhythm section's interaction with the horns, particularly on the uptempo pieces, to understand how ensemble time can be both relaxed and precise.

How to use it

Use this as a reference recording when teaching small ensemble repertoire or introducing students to contemporary jazz composition and arrangement. It pairs well with study of the individual composers and arrangers featured here, particularly for understanding how different writers approach saxophone voicing and orchestration.

Skills your students will build

  • Listening for balance and blend in multi-part saxophone writing
  • Understanding contemporary jazz harmonies and chord voicings
  • Recognizing how rhythm sections support and interact with horn sections
  • Appreciation for improvisation within composed frameworks
  • Analysis of professional arrangement techniques in small ensemble context

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