Santa's Job Is a Snap! (The Elves' Rap): 2-Part Speaking Chorus (with Opt. Staging) Choral Octavo
Music by Sally K. Albrecht
Item: 00-PO-0004634
$2.25
Minimum order quantity: 20 copies
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Description
It's Sally's follow-up to her successful 'Reindeer Rap.' This time it's the elves turn to rap, complaining that 'SANTA'S JOB IS A SNAP.' The SoundTrax cassette will bring down the house. For any size choir at any level. And Sally has included her own staging suggestions IN THE PUBLICATION!
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Additional Details
Series:
Alfred Archive Edition: Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0004634
More about this title
About the Composer: Sally K. Albrecht
Sally K. Albrecht has shaped choral music education for over three decades, beginning as Director of School Choral, Vocal, and Elementary Publications at major educational publishers, most recently Alfred Music. A prolific composer with more than 600 published works and 75 larger choral collections and musicals, she is recognized annually by ASCAP for her contributions to music since 1987. Her reputation for innovative choral movement has led to conducting engagements at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama and M.M. in Accompanying), and has taught at Oakland University, Jersey City State College, and Meredith College. A Cleveland native now based in North Carolina with her composer/arranger husband Jay Althouse, she served as Chair of the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and received their Pillar of Leadership award. In 2021, both the University of Miami Frost School of Music and Rollins College honored her with Distinguished Alumna Awards.
Why we love this
Albrecht knows exactly what makes a novelty number land in front of an audience. The rap format and playful perspective (elves staging a workplace complaint about their demanding boss) give singers a comedic premise worth committing to. Best of all, she's built staging directions right into the publication, so you spend rehearsal time on musicality and movement, not hunting for choreography ideas elsewhere.
What to expect
A workplace comedy performed by elves who are fed up and not hiding it. The rap format brings contemporary energy to a traditional holiday setting, mixing humor with rhythmic confidence. It's the kind of piece that makes audiences smile before the first note is sung.
Who it's for
Any choir at any level looking for a guaranteed laugh at a winter concert or holiday program. The 2-part format and speaking chorus elements mean even choirs with mixed experience can execute it successfully. Directors seeking a vehicle that lets students enjoy performing will find this delivers exactly that.
How to get the most out of it
- Commit fully to the comedic attitude. The elves aren't apologizing for their complaints; they're performing a legitimate grievance. Have singers lean into the sass in their speaking voices.
- Use the recorded accompaniment to establish the groove early. Once your singers are locked into the rhythmic pocket alongside the recording, their confidence will show immediately.
- Layer the staging gradually. Start with the rap itself during the first few rehearsals, then introduce the suggested movement. This prevents cognitive overload and keeps rehearsal focused.
- Shape the speaking chorus dynamics carefully. Not all lines hit with equal energy. Identify moments where the text calls for emphasis and build them intentionally.
How to use it
Open a holiday concert with this to set a lighter tone and earn immediate audience engagement. It also works beautifully as a closer after more traditional or serious holiday selections, leaving the house in good spirits. The piece's accessibility and fun factor make it an excellent choice for less experienced choirs performing in community settings or school assemblies.
Skills your students will build
- Speaking chorus rhythmic precision and diction
- Comedic timing and character commitment in performance
- Coordinating movement and choreography with musical phrasing
- Ensemble unity across 2-part texture
- Confidence performing novelty material for audience impact