Santa's Job Is a Snap! (The Elves' Rap) Cover Image

Santa's Job Is a Snap! (The Elves' Rap): Choral Octavo SoundTrax CD

$27.99 USD
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Santa's Job Is a Snap! (The Elves' Rap) Cover Image

Santa's Job Is a Snap! (The Elves' Rap): Choral Octavo SoundTrax CD

Music by Sally K. Albrecht

Item: 00-3844

$27.99
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Description
It's Sally's follow-up to her successful 'Reindeer Rap.' This time it's the elves turn to rap, complaining that 'SANTA'S JOB IS A SNAP.' The SoundTrax cassette will bring down the house. For any size choir at any level. And Sally has included her own staging suggestions IN THE PUBLICATION!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081046198
SKU: 00-3844

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has spent over three decades shaping choral music education as a composer, conductor, and clinician with a distinctive focus on movement and staging. A prolific publisher with more than 600 choral works and 75 larger theatrical pieces in print, she has conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. Since 1987, she has been a consistent recipient of the ASCAP Special Music Award, reflecting her sustained impact on the field.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and taught in the music departments at Oakland University, Jersey City State College, and Meredith College. Her career includes more than thirty years as Director of School Choral, Vocal, and Elementary Publications for major educational publishers, most recently Alfred Music. A native of Cleveland, she now resides in North Carolina with her husband, composer and arranger Jay Althouse, and serves as a trustee for both Rollins College and the Omicron Delta Kappa National Leadership Honor Society.

Why we love this

Albrecht knows exactly what brings an audience to life: competition between Santa and his overworked elves, delivered in rap form with choreography built right into the score. The SoundTrax accompaniment is engineered to land the jokes and keep the energy relentless, which means your choir doesn't have to carry the whole show alone. For directors looking to close a concert with genuine laughter and movement, this delivers without requiring a massive ensemble or advanced vocal prowess.

What to expect

A behind-the-scenes workplace comedy set to hip-hop rhythms, where the elves launch a full-throttle complaint about their job security. The tone is playful irreverence wrapped in syncopated energy; your singers become characters advocating for fair labor practices, and the energy builds toward a punchline that audiences see coming but still love.

Who it's for

Any choir director seeking a crowd-pleasing seasonal finale that works for beginning through advanced singers and any choir size. If your ensemble enjoys novelty material, has singers who can commit to characterization, and your audience appreciates humor and movement, this is an immediate fit.

How to get the most out of it

  • Rehearse the rhythmic spoken sections separately from the sung portions so your singers can lock into the sass and attitude before layering in the melody.
  • Study Albrecht's staging notes early; they're designed to complement the rap delivery, and blocking rehearsals are just as important as music rehearsals for this piece to land.
  • Let the recorded accompaniment do the heavy lifting on tempo and groove while your singers focus on character and diction—the track will anchor everyone and free you to direct the staging.

How to use it

This works best as a concert closer or the opening number of a holiday show when you want to signal that the evening will be entertaining and not overly reverent. Program it after a set of traditional carols to give your audience permission to laugh, or build an entire concert concept around Albrecht's novelty holiday pieces.

Skills your students will build

  • Rhythmic clarity and precision in rap-spoken text layered over sung melody
  • Character work and stylistic commitment to comedic material
  • Basic choreography and stage blocking integration with singing
  • Maintaining energy and tempo consistency while following recorded accompaniment

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