Santa Meets Sousa Cover Image

Santa Meets Sousa: Concert Band Conductor Score & Parts

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Santa Meets Sousa Cover Image

Santa Meets Sousa: Concert Band Conductor Score & Parts

Arr. Mark Williams

Grade: 2 (Medium Easy)

Item: 00-5664

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Description
Your audience will leave your Christmas concert in a festive, upbeat mood when you close your program with this tongue-in-cheek Christmas medley. Three famous Sousa marches, Stars and Stripes Forever, Sempre Fidelis and the Washington Post, are skillfully interwoven with an assortment of familiar Christmas carols including 'Jingle Bells,' 'Up on the Housetop,' 'Deck the Halls' and 'O Little Town.' (Grade 2---Easy Medium)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Santa Meets Sousa: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 128
UPC: 038081014623
SKU: 00-5664

More about this title

About the Arranger: Mark Williams

Mark Williams

Mark Williams shaped generations of young musicians through his prolific output for school bands and orchestras, authoring over 200 compositions alongside his co-authored Accent on Achievement Band Method. His career spanned classrooms across Washington state, where he specialized in elementary band instruction while maintaining active roles as a bassoon performer, arranger for the 560th Air Force Band, and conductor of the Spokane British Brass Band.

As a clinician and guest conductor, Williams traveled extensively throughout North America and Australia, bringing his pedagogical expertise and compositional craft to music educators everywhere. His contributions earned recognition through the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards, cementing his legacy as one of the most significant voices in school band music.

Why we love this

The arrangement threads three iconic Sousa marches through Christmas carols with genuine musical wit rather than gimmick, creating something that sounds elegant and feels celebratory at once. For a closing number, it delivers the energy your audience craves while your ensemble gets to showcase marching-band precision and confidence without requiring advanced technical facility.

What to expect

Spirited and sophisticated, with the familiar comfort of Sousa marches meeting the warmth of traditional carols. The medley bounces along with genuine rhythmic energy, never settling too long on one melody, creating the musical equivalent of festive momentum.

Who it's for

Concert bands at the Grade 2 level seeking an engaging holiday closer that doesn't sacrifice musicianship. Directors programming year-end concerts will find this particularly valuable for its ability to please audiences while remaining accessible to developing ensembles.

How to get the most out of it

  • Balance the melodic material between the Christmas carols and Sousa themes so neither overwhelms; the medley works best when both layers feel equally present and intentional.
  • Bring out the characteristic Sousa march articulation and rhythmic snap in the brass and woodwind sections to honor the source material while maintaining festive clarity.
  • Let the conductor's personality emerge through phrasing choices in the transitions between melodies; these moments define whether the piece feels clever or cluttered.
  • Support the ensemble's confidence with a clear, energetic beat that reflects the upbeat character Williams intended; a conductor's conviction carries this style of arrangement.

How to use it

Reserve this for your final selection on a holiday concert; its upbeat character and audience familiarity make it the ideal sendoff. Pairing it with slower, reverent carol arrangements earlier in the program creates natural programming contrast and leaves listeners in the celebratory mood you want them to remember.

Skills your students will build

  • Shifting between marcato and legato articulation within the same piece
  • Maintaining consistent tempo during medley transitions and thematic overlaps
  • Balance and blend when multiple familiar melodies share the ensemble simultaneously
  • Stylistic flexibility, moving between march idiom and carol character
  • Rhythmic precision and subdivision in syncopated passage work

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