Santa Claus is Comin' to Town (from "The Polar Express"): Big Note Piano
Words and music by Glen Ballard and Alan Silvestri / arr. Carol Matz
Level: Big Note
Item: 00-PS-0012882
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Description
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More about this title
About the Composer: J. Fred Coots
J. Fred Coots (1897–1985) composed some of America's most enduring popular songs, with a particular gift for holiday music that has outlasted generations. "Santa Claus Is Comin' to Town," written in 1934, remains one of the most recorded Christmas songs in history, and his melodies are instantly recognizable for their singability and charm.
Coots understood what makes a song stick: clear melodic lines, memorable hooks, and emotional warmth without sentimentality. His work appears across film, stage, and radio, but his holiday compositions are what music teachers and families return to year after year.
Why we love this
Carol Matz's big note arrangement distills the festive energy of The Polar Express into accessible piano music that young students can actually play and enjoy. The folio's inclusion of 30+ full-color scenes from the film turns practice into a visual experience, keeping young pianists engaged with the material between lessons.
What to expect
Cozy, magical, and thoroughly festive. These melodies carry the warmth and wonder of the film without demanding technical sophistication from the player. The big note format makes the music feel approachable and fun rather than intimidating.
Who it's for
Young pianists in early elementary through early intermediate levels who are ready for more than five-finger patterns but not yet reading traditional notation fluently. This folio works beautifully for holiday recitals, seasonal studio celebrations, or home play alongside festival pieces.
How to get the most out of it
- Pedal sparingly, if at all. The big note format and simple voicings are clearest with clean articulation and minimal resonance.
- Let the melody sing through. These songs are known for their hooks, so bring out the top line even when both hands are playing.
- Match the tempo to the emotional tone of each title. "Believe" should float; "Rockin' on Top of the World" should have forward motion.
How to use it
Feature one or two selections in a winter recital, pairing them with instrumental or vocal arrangements of the same songs to show different colors and textures. The variety of moods across the nine titles makes this folio rich enough for a short solo set or flexible enough to mix and match songs for a studio holiday party.
Skills your students will build
- Reading in treble clef with larger note heads and spacing
- Playing simple melodic and harmonic textures across both hands
- Controlling pedal use and dynamic contrast
- Building confidence and joy through recognizable, beloved melodies