Santa at the Symphony (also playable by strings only) Cover Image

Santa at the Symphony (also playable by strings only): Full Orchestra Conductor Score

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Santa at the Symphony (also playable by strings only) Cover Image

Santa at the Symphony (also playable by strings only): Full Orchestra Conductor Score

Arr. Mark Williams

Grade: 2

Item: 00-5618S

$7.00
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Description
A charming and oftentimes hilarious arrangement of familiar classical music themes (Eine Kleine Nachtmusik, 1812 Overture, and Brahms's First Symphony) cleverly interwoven with seasonal melodies (Silent Night, Jingle Bells and Nutcracker Suite). Originally a very popular band arrangement, this version provides a challenging and fun piece for school orchestras and is designed to work with strings alone or with all other instruments. Alternate parts and flexible scoring allow for wide programming

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Additional Details
Series: Highland/Etling Full Orchestra
Publisher: Alfred Music
Page Count: 16
UPC: 038081027906
SKU: 00-5618S

More about this title

About the Arranger: Mark Williams

Mark Williams

Mark Williams built his reputation as one of the most prolific and performed composers for school ensembles, with over 200 published works for band, orchestra, and choir to his name. Educated at Eastern Washington University, he spent decades teaching music in Washington schools with a focus on elementary band while maintaining an active schedule as a clinician and guest conductor across 34 states, five Canadian provinces, and Australia. His work with the 560th Air Force Band as a woodwind performer and arranger informed his deep understanding of ensemble writing.

Beyond the concert hall, Williams earned recognition from major competitions including the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards. He performed regularly on bassoon and served as conductor and artistic director for the Spokane British Brass Band, bringing both compositional sophistication and practical ensemble experience to every score he created.

Why we love this

Williams takes an approach that respects both the classical sources and the students playing them, creating moments of genuine humor without sacrificing musicality. The flexible instrumentation means you can perform this with your full ensemble one year and adapt it when your string section is stronger the next, making it a reliable concert piece across multiple seasons.

What to expect

Sophisticated fun. The writing weaves canonical masterworks with festive melodies in ways that surprise and delight without talking down to either the musicians or the audience. You hear Bach and Brahms coexist with Jingle Bells, and somehow it works, drawing laughter and genuine musical satisfaction in equal measure.

Who it's for

School orchestras at the Grade 2 level seeking a winter concert piece that genuinely entertains audiences while keeping students engaged with substantive musical content. Directors who want a flexible arrangement that accommodates strings alone or grows to full orchestra depending on their ensemble's needs.

How to get the most out of it

  • Balance the classical and seasonal themes so neither overwhelms the other; let each melody breathe when it enters, especially when transitioning between Eine Kleine Nachtmusik and Jingle Bells.
  • Use the optional parts strategically to strengthen sections that need support. If your violas are thin, doubling them with woodwinds can add warmth without muddying the texture.
  • Establish a clear conducting gesture for the tempo relationships between movements, since the classical framework requires rhythmic precision even as the holiday material invites a lighter touch.
  • Shape the transitions between contrasting themes with deliberate articulation choices; crisp staccato in the strings can heighten the comedic impact of the arrangement's clever juxtapositions.

How to use it

This works beautifully as a concert closer or opener during winter programming when audiences expect holiday flavor but appreciate music that respects the orchestra's artistry. Its accessible difficulty and crowd-pleasing nature make it ideal for concerts where you want to include a piece that speaks to families new to orchestra repertoire.

Skills your students will build

  • Balancing multiple melodic lines when classical and seasonal themes occur simultaneously
  • Executing clean transitions between contrasting musical styles and tempos
  • Adapting part assignments based on instrumentation available
  • Understanding arrangement techniques and how composers recontextualize familiar material
  • Maintaining ensemble cohesion across tonal shifts from serious classical writing to lighter holiday material

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