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Sandstone and Marble: Concert Band Conductor Score

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Sandstone and Marble: Concert Band Conductor Score

Fantasia for Trumpet and Band

By Adam B. Levowitz

Grade: 4

Item: 81-CB10188S

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Description
This brilliant trumpet showpiece was written for SGM Chuck Seipp of The United States Army "Pershing's Own." The fast scalar passages and extensive double tonguing show off the players' technique, and this is contrasted by lyrical lines and smooth slurring throughout the range of the instrument. The band parts are rhythmically interesting with some great colorful parts to play as well. Lyrical woodwind solos and powerful brass writing, combined with the flashy solo part, make this work enjoyable by both players and audiences. With the composer conducting, the world premiere was performed on the steps of the US Capitol in Washington, DC (made of sandstone and marble), overlooking the Washington Monument and the reflecting pool.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 44
ISBN10: 1-55473-587-4
ISBN13: 978-1-55473-587-7
UPC: 685462015887
SKU: 81-CB10188S

More about this title

Why we love this

Levowitz crafted a piece that gives the trumpet soloist every opportunity to shine while keeping the ensemble writing equally engaging. The contrast between technical fireworks and genuinely lyrical passages means your band stays invested throughout, and the historical premiere context (those Capitol steps, that landmark setting) adds genuine resonance when you program it.

What to expect

Confident and celebratory, with moments of genuine lyricism breaking through the technical display. The piece captures both the technical virtuosity and architectural grandeur of its Capitol premiere, alternating between flashy precision and smooth, singing phrases that showcase the full range of the trumpet.

Who it's for

Bands with a strong trumpet soloist who can handle fast scalar work and extended double tonguing without sacrificing musicality in the lyrical sections. Your ensemble should be confident reading rhythmically interesting parts and balancing featured woodwind moments alongside the main solo.

How to get the most out of it

  • Work the scalar passages and double tonguing articulation with your trumpet soloist separately, then gradually layer in the band so the soloist can hear the harmonic foundation beneath the fast notes.
  • Balance the lyrical woodwind solos prominently in the middle sections; they deserve attention even when the trumpet isn't the focal point.
  • Shape the brass writing with clear dynamic intent. The powerful moments land harder when you've pulled back slightly in the quieter passages.
  • Let the conductor score guide your tempo decisions in both the fast and slow sections; the rhythmic interest in the ensemble parts depends on secure time.

How to use it

This works beautifully as a centerpiece in a concert celebrating military band tradition or American concert music. Consider pairing it with a piece that emphasizes ensemble texture rather than solos, so you create programming variety. It's equally strong as a feature for your band's spring concert or a showcase moment in a longer set.

Skills your students will build

  • Reading rhythmically complex ensemble parts with varied subdivisions
  • Balancing featured solos against supporting harmonic writing
  • Executing clear dynamic contrasts between technical passages and lyrical sections
  • Ensemble coordination across multiple textural layers (solo, woodwind colors, brass power)

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