Sandstone and Marble: Concert Band Conductor Score & Parts

$105.00 USD

Sandstone and Marble: Concert Band Conductor Score & Parts

Name: Sandstone and Marble: Concert Band Conductor Score & Parts
Brand: Alfred Music
SKU: 81-CB10188
Price: 105.00 USD
Availability: InStock

Fantasia for Trumpet and Band

By Adam B. Levowitz

Grade: 4

Item: 81-CB10188

$105.00

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One moment…

This brilliant trumpet showpiece was written for SGM Chuck Seipp of The United States Army "Pershing's Own." The fast scalar passages and extensive double tonguing show off the players' technique, and this is contrasted by lyrical lines and smooth slurring throughout the range of the instrument. The band parts are rhythmically interesting with some great colorful parts to play as well. Lyrical woodwind solos and powerful brass writing, combined with the flashy solo part, make this work enjoyable by both players and audiences. With the composer conducting, the world premiere was performed on the steps of the US Capitol in Washington, DC (made of sandstone and marble), overlooking the Washington Monument and the reflecting pool.

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Series: Eighth Note Publications

Publisher: Eighth Note Publications

Page Count: 276

ISBN10: 1-55473-529-7

ISBN13: 978-1-55473-529-7

UPC: 685462015306

SKU: 81-CB10188

More about this title

Why we love this

Levowitz has crafted a work that gives your trumpet section a genuine star vehicle while keeping the full band engaged with rhythmically sophisticated parts and colorful scoring throughout. The architectural premise (sandstone and marble) translates into music that feels monumental without sacrificing musicality, and the balance between technical display and lyrical substance means audiences hear artistry, not just chops.

What to expect

Sandstone and Marble opens with structural grandeur, then pivots between moments of technical sparkle from the trumpet and lyrical repose that lets the full band breathe. The piece feels ceremonial and celebratory, anchored by solid harmonic writing that supports rather than overwhelms the featured voice.

Who it's for

Advanced high school and university concert bands with a strong trumpet soloist who can navigate technical scalar work and extended range with musicianship. Directors seeking a work that showcases individual achievement within an ensemble context will find this piece balances both effectively.

How to get the most out of it

The double tonguing passages demand consistent air support and clear articulation separation; encourage your trumpet soloist to practice these sections at a slower tempo first, focusing on even spacing between tongued notes before building speed.
Balance the lyrical woodwind solos carefully against the band; these moments deserve clarity and warmth, so resist over-filling the harmonic texture during the melodic statements.
Lock the rhythmic interest in the ensemble parts by sectional work on subdivision; the "rhythmically interesting" band writing works only when players feel the pulse collectively, not as isolated rhythmic figures.

How to use it

Position this as a centerpiece on a concert that highlights solo talent within your ensemble. It pairs well with works that feature other sections, allowing you to build a program around individual spotlight moments while maintaining cohesion through orchestration and thematic material.