Sampler, Book 2 Cover Image

Sampler, Book 2: Piano Book

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Sampler, Book 2 Cover Image

Sampler, Book 2: Piano Book

By Robert D. Vandall

Level: Early Intermediate

Item: 00-881239

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Description
Original piano solos which motivate elementary to late elementary students. Appealing, contemporary sounds in short, easy-to-learn pieces. Contrasting styles and keys. Students can creatively title the pieces themselves.

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Additional Details
Publisher: Alfred Music
Page Count: 24
UPC: 038081247441
SKU: 00-881239

More about this title

About the Composer: Robert D. Vandall

Robert D. Vandall is a prolific composer and arranger whose career has centered on creating accessible, high-quality repertoire for young pianists. His compositions balance musical integrity with the pedagogical realities of developing students, avoiding condescension while respecting technical limitations.

Vandall's output spans method books, original compositions, and arrangements across multiple levels. His work is distinguished by clear voice leading, interesting harmonic color, and an instinct for what engages rather than what merely occupies a student's time at the keyboard.

Why we love this

Vandall trusts early intermediate students to handle genuine compositional ideas. These pieces avoid filler; each one has a distinct character and musical personality that makes students feel they're learning real repertoire, not exercises. The invitation to title pieces themselves transforms passive learning into creative ownership.

What to expect

This collection refreshes the studio with surprising harmonic textures and modern sounds without overwhelming developing technique. The variety keeps things fresh across a practice session, and the contemporary palette makes these pieces feel current and relevant rather than historical.

Who it's for

Early intermediate pianists who are ready to explore beyond method book repertoire and want to discover that contemporary piano music can be both accessible and genuinely interesting. Teachers looking for short pieces that can be learned quickly but retain enough musical substance to satisfy both student and audience.

How to get the most out of it

  • Read through all the contrasting styles first to identify which keys and textures will require the most focus during practice. Some pieces may feel immediately comfortable; use those to build confidence before tackling unfamiliar harmonic territory.
  • Create visual landmarks on the page before performing. Circle key signature changes, bracket repeated sections, and mark any sudden dynamic shifts so your eyes know what's coming.
  • Let the contemporary sounds inform your touch and pedaling decisions. These aren't Baroque pieces, so don't be afraid to use the sustain pedal for color, but change it cleanly with harmonic shifts to avoid muddiness.
  • After learning the notes accurately, spend time experimenting with tempo and tone color. The shorter length of these pieces makes them ideal for trying different interpretive choices without a huge time investment.

How to use it

Program individual pieces from this book across a recital to give students quick wins and variety. The short duration means you can fit multiple students' selections comfortably into a concert without losing audience attention, and the contrasting styles create natural energy shifts between performances.

Skills your students will build

  • Reading contemporary harmonic progressions and sonorities
  • Pedal technique for sustain and color rather than just sustain
  • Sight-reading fluency through exposure to diverse key signatures and styles
  • Interpretive choices within a piece of manageable length
  • Score literacy and observation of stylistic markings

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