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Sacred Trios for All: Piano, Oboe Book

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Sacred Trios for All Cover Image

Sacred Trios for All: Piano, Oboe Book

From the Renaissance to the Romantic Periods

Arr. William Ryden

Item: 00-EL9756

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Description
This trio collection of 17 keyboard, vocal and instrumental pieces covering the Renaissance to the Romantic periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes sacred music fun! Contains: Agnus Dei ("Missa L'homme Arme") (Des Prez) * All and Some (Anonymous) * Amazing Grace (Newton) * Balm in Gilead (Anonymous) * Cantate Domino ("O Sing Unto the Lord") (Hassler) * Dona Nobis Pacem ("Grant Us Thy Peace") (Anonymous) * Et In Terra Pax (". . . And on Earth Peace") (Ciconia) * Fairest Lord Jesus (Crusader's Hymn) (Anonymous) * Hal' Luhu, Hal' Luhu ("Praise the Lord with Trumpet and Drum") (Psalm 150) * Jesu, Meine Freude ("Jesus, Priceless Treasure") (Cruger) * Lift Thine Eyes (Mendelssohn) * Sing Praise to God Who Reigns Above (Anonymous) * Stand Up, Stand Up for Jesus (Anonymous) * Virgin Tutto Amor ("Virgin, Fount of Love") (Durante) * Vom Mitleiden Maria ("Of Mary's Suffering") (Schubert) * We Limit Not the Truth of God (Handel) * Yigdal Elohim Chai ("The Living God Be Praised") (Anonymous).

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-1627-7
ISBN13: 978-0-7692-1627-0
UPC: 029156697438
SKU: 00-EL9756
Instrumentation: Piano, Oboe

More about this title

Why we love this

William Ryden's arrangements keep the sacred texts and melodies intact while making them genuinely playable across instrument combinations that actually show up in school and community ensembles. The span from Des Prez to Schubert means you're not stuck in one harmonic or melodic language, and oboe soloists get real musical material, not padding.

What to expect

Meditative and grounded. These arrangements respect the solemn, devotional character of their source material while remaining approachable. The oboe's warm, singing tone shines against the harmonic support of the piano, and the repertoire moves between quiet reverence and moments of gentle affirmation.

Who it's for

Oboe students who want a reliable collection of sacred repertoire spanning four centuries, and teachers looking for accessible but musically substantial trio material that works whether you're pairing oboe with piano alone or adding voices or other instruments later. Directors building flexible ensemble programs will find this especially useful for chapel services, community concerts, and interdisciplinary events.

How to get the most out of it

  • Balance the oboe line against the piano. The oboe should speak clearly without the pianist drowning it out; a lighter touch in the right hand often works better than you'd expect.
  • Breathe phrasing together. Mark breath points in the oboe part that align with natural harmonic or text breaks so the piano knows when the line lifts.
  • Adjust articulation based on the piece's origin. Renaissance pieces need lighter tonguing; Romantic-era arrangements respond to more connected phrasing.
  • Use the printed lyrics as a guide for phrasing shape, even in instrumental arrangements. The text implies the breath and emotional arc.

How to use it

Reserve this for situations where you need music that honors both a musical and spiritual context. A Thanksgiving or Christmas service, a spring chamber recital, or an interfaith school assembly all become richer with this collection. Solo oboe students can also pull individual pieces as recital material, combining them with other standalone works for variety.

Skills your students will build

  • Playing as a solo voice with piano accompaniment (accompanying versus leading)
  • Phrasing and breathing in lyrical, sustained melodic lines
  • Interpreting sacred and devotional music across historical periods
  • Balancing tone and intonation with a keyboard partner
  • Connecting melodic shape to text-based phrasing concepts

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