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Sabres And Spurs: Conductor Score & Parts

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Sabres And Spurs: Conductor Score & Parts

By John Philip Sousa / arr. Angelo Kortyka

Grade: 3

Item: 36-50548005

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Description
With everything you expect from a Sousa march, this is a welcome addition to the tuba-euphonium repertoire. You can almost hear the horses and their riders!

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Additional Details
Series: LudwigMasters Brass Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296214-8
ISBN13: 978-1-68-296214-5
UPC: 660355067457
SKU: 36-50548005
Instrumentation: Tuba/euphonium Quartet

More about this title

About the Composer: John Philip Sousa

John Philip Sousa (1854-1932) shaped American band music like no other composer. His marches defined the genre, combining sophisticated harmonic language with melodies that stick immediately in the listener's mind. Beyond composition, Sousa was a bandmaster, conductor, and fierce advocate for musicians' rights, but his legacy rests firmly on the thousands of performances of his works that continue to fill concert halls and parades.

Sousa understood every instrument in the band intimately. His marches were built to showcase brass sections, and his writing for tuba and euphonium reflects deep knowledge of what those players could accomplish musically and technically. That precision, combined with his gift for memorable material, is why Sousa marches remain core repertoire more than a century after they were written.

Why we love this

Angelo Kortyka's arrangement brings Sousa's characteristic brass writing into a tuba-euphonium quartet format without sacrificing any of the march's swagger and forward motion. The Grade 3 level makes this accessible for developing players while preserving the authentic Sousa sound. It's a rare chance to play a genuine masterwork in a small ensemble setting.

What to expect

Sabres and Spurs gallops forward with the unmistakable swagger of a Sousa march. You hear the military precision, the bright brass fanfares, and underneath it all, the kind of melodic confidence that only comes from a composer who understood both the dignity and the fun of band music. It's energetic without being exhausting.

Who it's for

Tuba and euphonium quartets ready to step into genuine concert literature. This arrangement suits mixed-level ensembles since the Grade 3 writing accommodates developing players while offering engaging material for more advanced musicians.

How to get the most out of it

  • Keep the pulse rock-solid throughout. Sousa marches live and die by rhythmic precision; even the finest melody falls flat if the quartet doesn't lock together on the beat.
  • Voice the bass line with intention. The tuba carries harmonic weight here, so listen for balance between melody and foundation rather than letting the lead voice dominate.
  • Shape the characteristic Sousa phrases with slight give-and-take in tempo. A gentle breath at the end of eight-bar sections gives the march its natural breathing room without breaking momentum.

How to use it

This works beautifully as a pops program opener or closer, especially alongside other marches or lighter concert fare. It also fits naturally into a brass showcase concert, where it can sit comfortably between more contemporary pieces while reminding the audience what foundational repertoire sounds like.

Skills your students will build

  • Maintaining steady pulse in march form
  • Balancing bass line harmony with melodic line
  • Ensemble intonation and blend across four parts
  • Phrasing and shaping within a structured march structure
  • Reading and performing concert literature at Grade 3 level

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