Runnin' Home to You Cover Image

Runnin' Home to You: 3-Part Mixed Choral Octavo

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Runnin' Home to You Cover Image

Runnin' Home to You: 3-Part Mixed Choral Octavo

Words and music by Benj Pasek and Justin Paul / arr. Andy Beck

Item: 00-47128

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Description
Benj Pasek and Justin Paul, the songwriting team behind The Greatest Showman, Dear Evan Hansen, and La La Land, wrote this tender ballad for the much-anticipated musical crossover episode between the CW's Supergirl and The Flash. The touching lyrics will leave a mark on the hearts of both singers and audiences.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Runnin' Home to You: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081538990
SKU: 00-47128

More about this title

About the Composer: Benj Pasek

Benj Pasek is a composer and lyricist whose work spans Broadway, film, and television. He and his frequent collaborator Justin Paul have crafted songs for The Greatest Showman, Dear Evan Hansen, La La Land, and numerous other high-profile projects, earning Grammy Awards and Academy Award nominations for their distinctive blend of contemporary songwriting and emotional storytelling.

Pasek's approach to composition prioritizes singable melodies and lyrics that resonate deeply with performers and audiences alike. His contributions to musical theater and screen have made him one of the most sought-after songwriters in entertainment, and his catalog continues to expand the repertoire available to school choirs.

Why we love this

This arrangement brings a moment from prestige television into your rehearsal room with a ballad that feels contemporary without losing emotional substance. The SAB voicing sits comfortably for mixed choirs of varying experience levels, and the song's sincerity gives singers genuine material to invest in rather than novelty appeal.

What to expect

The piece carries the warmth and accessibility of a contemporary ballad with genuine vocal writing underneath. Its intimacy makes it feel like a private moment shared between singers and audience, even in a full choir setting.

Who it's for

This octavo works well for middle school, high school, and community choirs looking to program contemporary material with heart. Singers appreciate connecting with songs they know from media they follow, and this piece delivers that familiarity while maintaining choral substance.

How to get the most out of it

  • Shape the phrases with attention to the lyrics; this ballad thrives on singers understanding and conveying the emotional arc of the text rather than rushing through it.
  • Balance the three parts carefully during sustained passages so that no single voice dominates; blend is essential to the tenderness of the arrangement.
  • Use the recorded accompaniment to establish the song's tempo and harmonic context in early rehearsals, then gradually reduce your reliance on it as the choir internalizes the melody and chord changes.

How to use it

Place this early or mid-concert to establish an emotional connection with your audience before moving into heavier repertoire, or use it as a moment of contrast within a program built around different styles. Its recognizability makes it an effective concert closer if you're programming works that span classical to contemporary idioms.

Skills your students will build

  • Blending three-part harmonies with equal voice prominence
  • Interpreting contemporary lyrics with appropriate emotional expression
  • Sustaining phrases while maintaining dynamic control
  • Reading and performing from a choral octavo in SAB voicing

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