Rubber Chicken Soup Cover Image

Rubber Chicken Soup: String Orchestra Conductor Score & Parts

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Rubber Chicken Soup Cover Image

Rubber Chicken Soup: String Orchestra Conductor Score & Parts

By Lauren Bernofsky

Grade: 1

Item: 98-ST6320

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Description
Based on the rhythm of the words "Rubber Chicken Soup" (four eighth notes and a quarter note), this delightful novelty has a wealth of teaching and musical applications. This piece is not only ideal to teach eighth notes-it also features many opportunities to practice retakes. Note: no rubber chickens were harmed in the creation of this piece.

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398231621
SKU: 98-ST6320

More about this title

About the Composer: Lauren Bernofsky

Lauren Bernofsky

Lauren Bernofsky's catalogue spans over a hundred compositions across solo, chamber, orchestral, operatic, and ballet idioms. Lukas Foss called her "a master composer," and her work has been praised for its sophisticated balance between emotional depth and intellectual rigor, blending technical sophistication with lyrical sensibility. Her Sonatine won the National Flute Association's Newly Published Music Competition, and her opera Mooch the Magnificent received the Opera Puppets Award at Boston Metro Opera.

Bernofsky's commissions have come from orchestras, chamber ensembles, and performing arts organizations across the country, and her works have been featured on PBS and in publications including the International Trumpet Guild journal. She holds degrees from The Hartt School, New England Conservatory, and Boston University, and has taught at the Peabody Institute and Interlochen Center for the Arts. Her string quartet Anacostia Journal received national broadcast recognition, and her choral work Prayer of Shantideva, winner of the Dalai Lama Composition Contest, was premiered at a prayer service in the presence of the Dalai Lama himself.

Why we love this

Bernofsky has engineered something genuinely clever here: a piece where the melodic cell itself teaches the rhythm students need to master. The novelty premise never overshadows solid musical writing, and the built-in retake opportunities make this a natural pedagogical tool without feeling like a drill. Young orchestras actually want to play this one.

What to expect

Playful and unpretentious. The title sets expectations for something lighthearted, and Bernofsky delivers exactly that without condescension. It has the infectious quality of a good novelty number, but with genuine musical substance underneath.

Who it's for

First-year string orchestras and upper-level beginning ensembles looking for repertoire that entertains audiences while reinforcing fundamental rhythmic concepts. It works equally well for contest and festival settings where you want to showcase clean playing without tackling advanced technical terrain.

How to get the most out of it

  • Isolate the "Rubber Chicken Soup" rhythmic motive in sectionals before running the full piece; once players internalize the pattern, ensemble cohesion locks in quickly.
  • Use the contrast between eighth-note passages and quarter notes as a dynamic shaping opportunity. Slightly lighter touch on the eighths keeps the piece bouncy and prevents it from feeling mechanical.
  • Plan your retakes strategically in rehearsal. The piece practically invites them, so frame them as performance opportunities rather than corrections.

How to use it

Pair this with a more serious contemporary work to demonstrate the range of modern composition, or program it as an audience favorite that gives your ensemble a chance to show their rhythmic precision and ensemble control in a fun context. It's ideal for the lighter half of a concert or as a festival opener that sets a warm tone.

Skills your students will build

  • Executing steady eighth-note passages with rhythmic clarity and consistency
  • Recognizing and performing the relationship between eighth notes and quarter notes
  • Responding to conductor cues for sectional entrances and retakes
  • Maintaining ensemble unison in a rhythmically driven texture

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