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Rondeau: Brass Quintet Score & Parts

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Rondeau: Brass Quintet Score & Parts

Theme from Masterpiece Theatre

By Jean Joseph Mouret / arr. David Marlatt

Level: Easy-Medium

Item: 81-BQ9833

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Description
This incredibly famous trumpet solo is now available for the developing brass quintet. The range demands have been reduced to allow younger performers to tackle this piece. The main melody is passed between the 2 trumpets and other sections have the musical line passed throughout the remainder of the group. Now this tune is accessible to not just professional brass quintets but the younger ensembles as well.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-832-0
ISBN13: 978-1-55472-832-9
UPC: 685462003594
SKU: 81-BQ9833
Instrumentation: Brass Quintet

More about this title

About the Composer: Jean Joseph Mouret

Jean Joseph Mouret (1682, 1738) was a French Baroque composer who spent most of his career creating music for the French court and Paris's Concert Spirituel series. He excelled at writing tuneful, accessible works that combined French elegance with Italian melodic warmth, making him one of the most performed composers of his era.

Mouret's instrumental works, particularly his fanfares and rondeau movements, became staples of ceremonial and courtly life. His melodies are constructed with remarkable clarity and balance, qualities that have kept them vibrant in performance for nearly three centuries. Teachers and directors continue to turn to his music because it rewards performers who bring shape and expression to relatively straightforward material.

Why we love this

Mouret's melodic gift shines even more brightly when distributed across a full quintet. This arrangement doesn't just make the piece playable for younger ensembles; it creates genuine musical responsibility for each section, transforming what might feel like a solo vehicle into a collaborative ensemble statement. The recognizable melody combined with accessible ranges makes this both an audience favorite and a program builder that works equally well at festival showcases or end-of-year concerts.

What to expect

This Rondeau captures the graceful, ceremonial character of French Baroque music; it feels formal without being stiff. The melody sings with an almost dance-like quality, and when properly balanced across the quintet, the piece radiates warmth and sophistication that audiences find immediately engaging.

Who it's for

Brass quintets working at the easy-to-medium level who want to perform a recognizable, rewarding piece without stretching into the extreme range demands of professional arrangements. The reduced range requirements make this ideal for developing high school and advanced middle school ensembles looking for solid repertoire that sounds polished and confident.

How to get the most out of it

  • Shape the melody with dynamic continuity as it moves between the two trumpets. Avoid the tendency to restart the phrase when the second trumpet enters; treat the passage as one musical idea.
  • Balance the supporting voices so the harmonic foundation never overwhelms the tune. The supporting brass parts should feel like they're accompanying, not competing.
  • Breathe as a section in the rests written into the melody line. A synchronized breath creates polish and makes the familiar tune even more distinctive.
  • Let the Baroque character breathe without rushing. Mouret's phrasing benefits from space between ideas, which young ensembles sometimes fill by pushing the tempo.

How to use it

Open a concert or festival set with this piece. Its immediate melodic appeal establishes ensemble confidence in the first moments of performance, and its manageable technical demands free the group to focus on musicality and balance. It also pairs naturally alongside shorter classical works, allowing you to program a coherent set without extending rehearsal time on a single piece.

Skills your students will build

  • Sustaining phrase direction across ensemble hand-offs
  • Balancing melodic line against harmonic accompaniment
  • Coordinating breath and phrasing as a unified section
  • Executing Baroque articulation and style conventions
  • Managing dynamic shaping in a multi-voice texture

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