Rolling Thunder Cover Image

Rolling Thunder: Concert Band Conductor Score & Parts

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Rolling Thunder Cover Image

Rolling Thunder: Concert Band Conductor Score & Parts

By Henry Fillmore / arr. Col. Arnald Gabriel

Grade: 4

Item: 36-50100073

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Description
There's never been another screamer quite like it! Fillmore's venerable warhorse has been given a thorough looking-over by one of the foremost band conductors of our time. Drawing on his years of experience with the United States Air Force Band, Colonel Gabriel has meticulously edited this formidable march for the modern band. Rolling Thunder has long been an admired and often performed work in the symphonic band repertoire. Composed by (James) Henry Fillmore in 1916, this march was a favorite of conductor Merle Evans and the Ringling Brothers and Barnum and Bailey Circus. The work is dedicated to Ed Hicker, who as far as the little documentation shows, was an actor and musician in the Cincinnati, Ohio area and who may have performed with Fillmore in the many pit orchestra engagements of his youth. Rolling Thunder is unique within the march oeuvre, in that its softest dynamic marking is forte! In later printings, Fillmore added the subtitle “A Trombone Ace,” perhaps a tip-of-the-hat to his own instrument and that the trombones and other bass instruments are playing to the fore from beginning to end. Fillmore also indicates that the march should be played Furioso. So sit back, close your eyes and enjoy the exciting, death-defying sounds of the circus—as only Henry Fillmore (our Uncle Henry) can do.

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Additional Details
Series: Col. Arnald Gabriel Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-156118-6
ISBN13: 978-1-62-156118-7
UPC: 654690417800
SKU: 36-50100073
Instrumentation: Concert Band

More about this title

About the Composer: Henry Fillmore

Henry Fillmore (1881-1956) was an American composer and trombonist who became one of the most prolific march composers of the early twentieth century. A virtuoso on his instrument, Fillmore wrote over 250 marches and brought the American march tradition to audiences across the country through circus tours, radio broadcasts, and concert band performances. His works are characterized by brilliant orchestration, memorable melodies, and an infectious energy that made them favorites among both professional ensembles and community bands.

Why we love this

Rolling Thunder showcases Fillmore at his most audacious. The fact that the softest dynamic marking is forte sets this march apart from virtually every other work in the genre; it's unapologetically brash and relentless. Colonel Gabriel's modern editing preserves Fillmore's original intent while making the score accessible to contemporary ensembles, and the trombone fireworks throughout give your brass section a vehicle that demands precision and confidence.

What to expect

Rolling Thunder captures the spectacle and unbridled excitement of the circus at full throttle. There's a relentless, death-defying quality to the sound; the band never drops below forte, and the trombone writing crackles with acrobatic energy. It's the musical equivalent of watching a daredevil act unfold—thrilling, bold, and unapologetically extroverted.

Who it's for

This edition is ideal for Grade 4 concert bands seeking a showstopper with historical gravitas and proven audience appeal. Directors with strong trombone and low brass sections will particularly benefit from this march, as Fillmore's writing puts those voices front and center. Gabriel's revision makes the work manageable for serious high school and community bands while retaining the virtuosic demands that make it satisfying to perform.

How to get the most out of it

  • Anchor the rhythmic foundation with the low brass and woodwinds; Fillmore's march rhythms only land with absolute clarity when the ensemble locks the downbeats together.
  • Push the tempo indication (Furioso) but keep it musical. The energy should feel propulsive, not rushed.
  • Balance the trombone solo lines against the full ensemble; these voices carry the melodic weight and must project clearly even in the thickest textures.
  • Shape the phrases through dynamics and articulation rather than tempo fluctuation. The forte-to-fortissimo contrasts create natural drama without breaking momentum.

How to use it

Program this as a finale or highlight concert number when you want maximum audience engagement and a showcase for your brass section. The march's historical pedigree and unmistakable energy make it an excellent choice for concert band festivals, pops programs, or any performance where you want to demonstrate ensemble precision and musicianship. It pairs well with lighter, more lyrical works on the same program to create dynamic contrast.

Skills your students will build

  • Precision rhythmic execution in dotted-note march patterns
  • Balancing prominent solo lines against full ensemble texture
  • Sustaining musical intensity across an entire piece at forte and fortissimo dynamics
  • Articulation clarity in fast-moving passages
  • Ensemble cohesion in complex brass and woodwind countermelodies

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