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Rogue River Venture: Concert Band Conductor Score

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Rogue River Venture: Concert Band Conductor Score

By Steve Hodges

Grade: 1.5 (Easy)

Item: 00-18797S

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Description
Take a ride down the rapids with this exciting new piece by Steve Hodges. Based on the Dorian mode, the melodies are shared by all sections of the band throughout the piece. The driving accompaniment of the first section is complemented well by the flowing triple-meter patterns of the middle section. From the opening measure to the dynamic conclusion, your young band will thoroughly enjoy this adventure!

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Additional Details
Series: Challenger Band Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081176857
SKU: 00-18797S

More about this title

About the Composer: Steve Hodges

Steve Hodges

Steve Hodges trained at Western Oregon University and Central Washington University, earning degrees in music education that shaped four decades of work directing bands, choirs, and small ensembles across public school systems. Since 1986, he has composed over 120 concert band pieces published by Alfred Music, along with choral arrangements issued through Staff Music and Shawnee Press, establishing himself as a prolific voice in accessible band literature.

His work has traveled internationally, appearing at festivals and state conventions while also reaching audiences through commissions from honor bands and school programs in Virginia, Iowa, Winnipeg, British Columbia, Oregon, Washington, and North Carolina. Television networks including TBS and ESPN have incorporated his compositions into broadcasts. Hodges is an ASCAP member and continues to live in The Dalles, Oregon, where he remains active in community music alongside his wife, Teddie, and stays connected with five children and ten grandchildren, some of whom now play his pieces in their own school bands.

Why we love this

Hodges builds engaging programmatic storytelling into Grade 1.5 writing without sacrificing accessibility. The Dorian foundation and shared melodic writing across all sections mean every student gets rewarding material to play, while the contrast between the driving first section and flowing triple-meter middle section keeps the ensemble engaged and gives young conductors clear structural landmarks to shape.

What to expect

The opening rapids pull you forward with rhythmic momentum and Dorian color, creating an immediate sense of adventure. The middle section's flowing triple-meter patterns offer a moment of reflection before the energy builds toward a dynamic conclusion that leaves the ensemble and audience energized.

Who it's for

Young concert bands at the Grade 1.5 level seeking a programmatic work that tells a vivid story without complexity. Ensembles want repertoire that builds confidence through shared melodic responsibility while offering conductors clear opportunities to develop phrasing and sectional balance.

How to get the most out of it

  • Let the Dorian melodies breathe naturally; they benefit from slight rubato at phrase endings rather than metronomic precision, especially as sections hand themes to one another.
  • Balance the rhythmic drive in the opening section by anchoring it in the accompaniment parts rather than pushing the melodic line; this creates propulsion without rushing.
  • Emphasize the textural shift into the triple-meter middle section through a modest tempo adjustment and lighter articulation, allowing the flowing character to emerge as a genuine contrast.
  • Shape the dynamic trajectory toward the conclusion carefully so the final push feels earned rather than sudden; mark your score with small dynamic gestures during rehearsal to guide sectional entrances.

How to use it

Program this as a concert opener or as the centerpiece of a thematic concert built around adventure or nature imagery. At eight pages, it fits cleanly into festival programs and works especially well alongside other programmatic band pieces at comparable difficulty levels.

Skills your students will build

  • Reading and sustaining melodies in Dorian mode
  • Balancing between rhythmic accompaniment and flowing melodic lines
  • Shifting articulation and tempo feel between contrasting sections (duple to triple meter)
  • Following conductor cues for dynamic shaping across large structural changes

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