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Rockin' the Baby: Choral Octavo SoundTrax CD

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Rockin' the Baby Cover Image

Rockin' the Baby: Choral Octavo SoundTrax CD

Music by Sally K. Albrecht

Item: 00-3885

$24.99
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Description
Sally Albrecht has done it again with this catchy, rhythmically rocking (and we don't mean "rock n' roll") Christmas spiritual. The question/answer aspect of the text makes it easy to learn: one part asks a question and the other answers. The parallel chord movement in the chorus is full-sounding and fun to sing. Optional descant.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081046600
SKU: 00-3885

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht stands among the most prolific and performed choral composers in American music education. Since 1987, she has received the ASCAP Special Music Award annually and maintains over 600 published choral works in active repertoire, alongside 75 songbooks and stage musicals. Her conducting has shaped festival choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and she spent more than thirty years directing choral and vocal publications for leading educational music publishers, concluding her tenure at Alfred Music.

Albrecht's academic background spans both music and theater. She earned a B.A. from Rollins College in 1976, then completed an M.A. in Drama and an M.M. in Accompanying at the University of Miami. She has taught at Oakland University, Jersey City State College, and Meredith College. A recognized leader in her field, Albrecht received the Pillar of Leadership award from Omicron Delta Kappa and in 2021 was honored as a Distinguished Alumna by both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She lives in Wake Forest, North Carolina, with her husband Jay Althouse, a composer and arranger in his own right.

Why we love this

Albrecht's gift for pairing rhythmic vitality with singable melodies shines throughout this spiritual. The question-and-answer text structure moves singers naturally through the piece, while the parallel chord writing in the chorus delivers the full, satisfying sound choirs crave without demanding advanced voiceleading technique. The optional descant adds flexibility, letting you scale the arrangement to your ensemble's range and confidence.

What to expect

Warm and spirited, with the gentle rock-inflected rhythm giving the spiritual a contemporary pulse that feels fresh rather than reverent. The call-and-response dialogue creates an inviting, almost conversational quality, as though the choir is sharing something both joyful and intimate with the listener.

Who it's for

Directors seeking accessible Christmas repertoire that energizes singers and audiences alike. This octavo works well for middle school through adult choirs, offering enough musical substance to engage developing singers without requiring soloists or extreme range demands.

How to get the most out of it

  • Lock the rhythmic momentum from the opening; this piece thrives on crisp articulation and steady pulse rather than legit phrasing.
  • Balance the question-answer dialogue between sections so each phrase lands clearly and the call-and-response feels conversational rather than distant.
  • If you include the descant, rehearse it separately first, then layer it in once the main parts are secure; the added harmonic color can obscure pitch if introduced too early.
  • Use the recorded accompaniment to reinforce the groove and help singers internalize the rhythm before adding movement or staging.

How to use it

Pair this with other spirituals to deepen a Christmas concert's thematic arc, or position it as a mid-program lift when your audience needs energy and lightness. The built-in movement possibilities make it ideal for concerts where staging or simple choreography enhances the presentation.

Skills your students will build

  • Singing rhythmic syncopation and contemporary harmonic language
  • Balancing question-answer phrasing between voice sections
  • Coordinate singing with optional movement or staging
  • Ensemble intonation with parallel chord movement

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