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Rockin' Jerusalem: Choral Octavo SoundTrax CD

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Rockin' Jerusalem Cover Image

Rockin' Jerusalem: Choral Octavo SoundTrax CD

Based on an American Spiritual / arr. Donald Moore

Item: 00-31144

$24.95
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Description
It starts and ends softly, but the energized groove never lets up. With a funky bass ostinato that drives us to the rockin' middle and syncopated "hallelujahs" throughout, each voice part is rooted in a memorable hook.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081339160
SKU: 00-31144

More about this title

About the Arranger: Donald Moore

Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and maintains an active composing and arranging career with over 500 works published across Alfred Music, Hal Leonard, Heritage Music Press, and other major houses.

Moore's catalogue spans sacred and secular choral music, educational works, and organ and piano compositions. His pieces regularly appear at state and regional festivals, and he has received seventeen ASCAP Composers Standard Awards. The American Choral Directors Association recognized him among 400 composers of historical significance in American choral music.

Why we love this

Moore crafts this arrangement so that every voice gets a memorable melodic hook, keeping singers engaged even during the softer sections. The funky bass line and syncopated hallelujahs create genuine rhythmic momentum that lifts the energy without requiring vocal gymnastics, making it rewarding for both your singers and your audience.

What to expect

The arrangement wraps a rock and soul sensibility around a traditional sacred text, building momentum through a funky bass pulse and call-and-response hallelujahs. You move from intimate and reflective into an unbridled, infectious middle section that feels alive with joy and movement.

Who it's for

This octavo works for church choirs seeking contemporary spiritual material that's energized without being precious, as well as high school and college choirs wanting a sacred piece with real groove and personality. It suits ensembles comfortable with syncopated rhythms and modern harmonic language.

How to get the most out of it

  • Keep the groove pocket locked between your lower voices and the recorded accompaniment; the ostinato is the heartbeat, not the drums.
  • Shape the dynamic arc carefully at the beginning and end. Soft doesn't mean tentative; the energy should stay connected even in the quiet passages.
  • Layer in the syncopated hallelujahs gradually during rehearsal so singers feel the rhythmic placement, not just hear it. Mark the exact syllables on their parts if needed.
  • Use the recorded accompaniment to lock the funk feel early in rehearsals, then pull it back in final performances to let your choir own the sound.

How to use it

Pair this with a contrasting slower spiritual or hymn arrangement to show the range of contemporary sacred music, or program it as the energetic centerpiece of a concert focused on African American musical traditions. It also works well as a spring concert closer that leaves audiences in a celebratory mood.

Skills your students will build

  • Maintaining a rhythmic pocket against a syncopated ostinato
  • Singing syncopated rhythmic figures across four voice parts
  • Balancing blend in a contemporary harmonic language
  • Shaping dynamics while preserving rhythmic momentum
  • Articulating gospel and soul-influenced vocal styles

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