Rockin' Around the Christmas Tree with Jingle Bell Rock: 2-Part Choral Octavo
Arr. Mark Hayes
Item: 00-PO-0006948
Minimum order quantity: 20 copies
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About the Arranger: Mark Hayes

Mark Hayes brings nearly five decades of compositional and arranging experience to the choral music world, having published over 1,750 works across all genres and styles. A summa cum laude graduate of Baylor University's piano program, Hayes has established himself as a conductor of distinction, leading performances at Lincoln Center, Carnegie Hall, and the National Cathedral. His work spans sacred and secular choral music, orchestration, musical theater, and piano composition, earning him the 2010 Award for Exemplary Leadership in Christian Music from his alma mater.
Hayes balances an international conducting career with his role as a prolific composer and arranger. His versatility spans from gospel and jazz to classical and Broadway arrangements, with over 100 piano publications to his name. Based in Kansas City, Missouri, he continues to create music across multiple genres and ensemble configurations, maintaining a commitment to writing accessible, beautiful work for singers and musicians of all levels.
Why we love this
Hayes crafts this medley with real swing sensibility, balancing the charm of two iconic '50s standards without oversimplifying either song. The 2-part voicing opens the piece to singers at various levels while the doo-wop falsetto moments add genuine character and humor rather than feeling forced. For directors looking to program something that's genuinely fun to sing without sacrificing musicality, this delivers.
What to expect
Just over three minutes of pure '50s cheerfulness, with the kind of easy-going swing that makes singers smile. The piece floats between the two familiar melodies with enough harmonic warmth to feel substantial, then adds those playful falsetto moments that signal camp without abandoning musicality.
Who it's for
This arrangement suits choirs seeking a upbeat holiday number that works for young singers, mixed-ability ensembles, and audiences who respond to nostalgia and fun. The 2-part voicing makes it accessible without sacrificing the swing style and harmonic interest that keeps experienced singers engaged.
How to get the most out of it
- Lean into the laid-back swing feel rather than driving the tempo; let the rhythmic pocket breathe and feel comfortable for all voice parts
- Shape the doo-wop falsetto sections with clarity and blend so they read as a nod to the era rather than a novelty moment
- If using the optional rhythm section parts, have the ensemble rehearse with the accompaniment early so singers can lock into the groove before adding choreography or props
How to use it
Program this as a concert opener or closer to establish an upbeat, audience-friendly mood around the holidays. It also works well in holiday pops concerts or sing-along events where choreography and visual elements enhance rather than distract from the singing.
Skills your students will build
- Singing in a swing style with proper phrasing and rhythmic feel
- Blending and balance across two-part harmony with doo-wop vocal effects
- Coordinating singing with optional choreography and visual elements