Rock 'n' Roll Party Tonight! Cover Image

Rock 'n' Roll Party Tonight!: Choral Octavo SoundTrax CD

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Rock 'n' Roll Party Tonight! Cover Image

Rock 'n' Roll Party Tonight!: Choral Octavo SoundTrax CD

Music by Jay Althouse

Item: 00-3850

$27.99
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Description
Would you believe a song in which the entire lyric is made up of 24 rock and roll song titles from the 50's and 60's?? Only Jay Althouse could have written this one. Opens with a brief speech choir section to set the rockin' mood, and then the hits just keep on rollin'! 'The Leader of the Pack came with Peggy Sue; Good Golly, Miss Molly was even there too.' The staging possibilities are endless.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081046259
SKU: 00-3850

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he received the Distinguished Alumni award. His career spans both the publishing world, where he spent eight years in rights and licensing administration and served on the Executive Board of the Music Publishers Association of America, and composition, where he has amassed more than 800 choral works performed throughout the English-speaking world.

As a writer member of ASCAP, Althouse is a regular recipient of the organization's Special Award for his contributions to standard music. His work extends beyond composition into music education resources: he has co-written children's musicals with Sally K. Albrecht, edited acclaimed vocal solo collections including Folk Songs for Solo Singers, and authored instructional books such as Ready to Read Music, Sixty Music Quizzes, and One-Page Composer Bios. His collaborative choral work "I Hear America Singing," written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. Althouse has served on the board of the North Carolina Master Chorale and presently advises the Folk Art Society of America.

Why we love this

Althouse's decision to build an entire choral arrangement around rock and roll song titles from the 1950s and 60s is pure compositional playfulness, and the result is a piece that entertains audiences while engaging singers in genuine musicality. The speech choir opening establishes energy and fun immediately, and then the hit titles flow together with such clever lyrical construction that the audience barely notices they're hearing decades of pop history woven into a single coherent song. Programming this delivers immediate audience connection and gives your singers an arrangement that feels contemporary and joyful rather than obligation.

What to expect

Infectious energy radiates from start to finish, building from the opening speech choir moment into a rollicking celebration of rock and roll's greatest moments. The cleverness of hearing these iconic song titles woven into lyrical conversation creates delight; the groove is instantly recognizable and fun for singers to inhabit. This is joyful, theatrical choral music that makes both singers and audiences smile.

Who it's for

Choirs looking for a crowd-pleaser that delivers entertainment without sacrificing musicianship. The piece works equally well for show choirs seeking a fun opener or traditional concert choirs wanting to program something that connects with listeners across age groups. Ensembles comfortable with movement and staging will find endless creative possibilities here.

How to get the most out of it

  • Rehearse the speech choir section as a rhythmic ensemble, not as spoken words. The precision of the group speaking together creates the "rockin' mood" Althouse describes; rushing or dragging will flatten the effect.
  • Use the recorded accompaniment to lock the rock and roll groove, especially important since singers will be managing both the novelty of the lyric and the energy of the style.
  • Lean into the staging possibilities from the start. Movement and choreography aren't extras here; they're essential to how the arrangement communicates joy and command audience attention.
  • Identify which rock song titles will resonate most with your audience and consider subtle emphasis there, letting singers' energy lift on those particular lines.

How to use it

Open a concert with this piece to set an upbeat tone and signal to the audience that the evening will include fun alongside more serious selections. It pairs well at the end of a lighter first half, offering a natural transition point and memorable finale before intermission. Use it at pops concerts, informal holiday performances, or community concerts where broad audience appeal and entertainment value are priorities.

Skills your students will build

  • Rhythmic precision in spoken unison (speech choir section)
  • Rock and roll style and groove
  • Lyrical clarity and diction when multiple titles run together
  • Ensemble coordination with choreographed movement and staging
  • Era-specific musical style awareness (1950s-60s rock and roll idioms)

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