Riu, Riu, Chiu Cover Image

Riu, Riu, Chiu: Brass Band Conductor Score & Parts

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Riu, Riu, Chiu: Brass Band Conductor Score & Parts

Traditional Spanish Carol / arr. David Marlatt

Item: 81-BB1036

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Description
This is a lesser-known Christmas piece dating from around 1550---rhythmic and colorful with the melody in several voices. The opening is a call and response between the trombone and the remainder of the group. There are some sections with some multiple tonguing, but the piece is not too difficult for a group to put together and be enjoyed by audiences.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-592-0
ISBN13: 978-1-55473-592-1
UPC: 685462015931
SKU: 81-BB1036

More about this title

Why we love this

Marlatt has crafted an arrangement that honors the rhythmic vitality of this 16th-century carol while making it genuinely playable for brass bands of modest technical skill. The call-and-response dialogue between trombone and ensemble creates immediate drama without requiring virtuosic facility, and the shifting of melody through different voices keeps the piece visually and aurally engaging across a full rehearsal period.

What to expect

Festive and rhythmically alive, with the energy of call-and-response conversation moving the piece forward. The colorful orchestration and melodic variety create a lively, celebratory atmosphere that feels both historical and fresh.

Who it's for

Brass bands seeking authentic holiday repertoire that doesn't demand advanced technique or extensive rehearsal time. This arrangement suits conductors programming a concert that blends traditional material with accessible, engaging writing.

How to get the most out of it

  • Establish the trombone soloist's opening clearly in the call-and-response section; this exchange sets the character of the entire piece, so let it breathe and articulate crisply.
  • Balance the multiple tonguing passages by rehearsing them at half tempo first, then gradually bringing them to performance speed; uneven execution here will muddy the colorful sections.
  • Use the shifting melodic lines as an opportunity to rotate featured voices during sectional rehearsals; this keeps individual players invested and prevents the piece from sounding like a single-voice melody.

How to use it

Schedule this in the first half of a winter concert, where its moderate technical demands won't tax players before more demanding selections. The clarity and rhythmic drive of the arrangement make it an excellent opener or a well-paced transition between longer works.

Skills your students will build

  • Call-and-response ensemble listening and ensemble balance
  • Multiple tonguing execution at tempo
  • Tracking melodic movement across instrumental voices
  • Renaissance-era articulation and style awareness

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