Rise Up Singing! (from King Arthur): 2-Part Choral Octavo
From King Arthur
Music by Henry Purcell / arr. Patrick M. Liebergen
Item: 00-PO-0004161
$2.25
Minimum order quantity: 20 copies
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Description
Patrick Liebergen has skillfully arranged this light, energetic Purcell masterwork in editions for today's SSA and 2-part treble choral groups. It's an excellent concert or festival work with solid part writing and dynamic variations. Optional parts for two flutes, as well as Editor's Notes are included in the publication. Repetition makes it easy to learn. A true classic for treble voices.
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Additional Details
Series:
Alfred Archive Edition: Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0004161
Instrumentation:
Opt. 2 Flutes
More about this title
About the Composer: Henry Purcell
Henry Purcell (1659-1695) stands as England's greatest Baroque composer and a towering figure in the history of English music. His output spanned sacred vocal music, instrumental works, and dramatic music for theater, all marked by inventive harmony, expressive melody, and a deep understanding of the English language. Purcell's gift for word-setting and his ability to blend Continental sophistication with native English character made him influential far beyond his own era.
Why we love this
Purcell's theatrical music carries theatrical energy and melodic substance that energizes young singers without requiring advanced vocal technique. Patrick Liebergen's arrangement opens this masterwork to treble ensembles while preserving the charm and sophistication of the original, and the optional flutes add textural interest without becoming a burden. The repetitive structure and clear phrasing make this an ideal piece for groups preparing for festival or concert performance.
What to expect
Light and buoyant, with the elegant restraint of Baroque vocal writing paired with an undeniable theatrical sparkle. The work radiates optimism and energy, inviting singers into crisp rhythmic interplay and singable melodic lines that feel both natural and refined.
Who it's for
This octavo serves 2-part treble choirs, community choruses, and school groups seeking a concert piece with genuine musical substance and historical pedigree. Singers with one to two years of choral experience can access it successfully, making it equally valuable for developing ensembles and those preparing for festival competition.
How to get the most out of it
- Shape the melodic line with gentle dynamic contours; this music thrives on forward motion and vocal clarity rather than dramatic weight
- Maintain rhythmic precision in the faster passages to let the text shine through and keep the energy buoyant
- If including the optional flute parts, ensure they balance with the choir rather than overshadow it; think of them as textural enhancement
- Use the Editor's Notes provided in the score to guide interpretation; they clarify Purcell's original intentions within Liebergen's arrangement
How to use it
This works beautifully as a contrasting opener or closer on a concert, particularly when programming alongside heavier Renaissance or contemporary works. Its manageable length and appealing character also make it an excellent festival selection or a strong anchor for a thematic program exploring Baroque drama or English musical heritage.
Skills your students will build
- Baroque phrasing and articulation
- Part independence in 2-part writing
- Text clarity and diction in English
- Ensemble balance and blend in treble voicing
- Reading from a score with optional instrumental cues