Rise Up Singing! Cover Image

Rise Up Singing!: 2-Part Choral Octavo

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Rise Up Singing! Cover Image
Rise Up Singing!: 2-Part Choral Octavo

Rise Up Singing!: 2-Part Choral Octavo

From King Arthur

Music by Henry Purcell / arr. Patrick M. Liebergen

Item: 00-19308
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Description
Patrick Liebergen has skillfully arranged this light, energetic Purcell masterwork in editions for today's SSA and 2-part treble choral groups. It's an excellent concert or festival work with solid part writing and dynamic variations. Optional parts for two flutes, as well as Editor's Notes are included in the publication. Repetition makes it easy to learn. A true classic for treble voices.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Rise Up Singing!: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081179537
SKU: 00-19308
Instrumentation: Opt. 2 Flutes

More about this title

About the Composer: Henry Purcell

Henry Purcell (1659, 1695) stands as England's greatest Baroque composer and a defining voice in the development of English vocal music. Working primarily in London during the Restoration period, Purcell composed across virtually every genre: anthems, odes, theater music, and secular songs that showcase his gift for memorable melody and harmonic sophistication. His output, though cut short by his early death, established a standard for English composition that influenced generations of musicians.

For choral musicians, Purcell's secular works offer immediate rewards. His melodies are singable without being simplistic, his harmonic language is colorful yet accessible, and his structural clarity makes pieces work equally well in the concert hall or festival setting. Teachers return to his music again and again because it teaches solid musicianship while remaining genuinely enjoyable to perform.

Why we love this

Liebergen's arrangement captures the brightness and forward momentum of the original while respecting Purcell's voice leading. The optional flute parts add textural flexibility without becoming essential, so you can program this whether or not your ensemble includes instrumentalists. For festival circuits and spring concerts alike, this delivers the sophistication of a Baroque masterwork without the rehearsal burden of dense counterpoint.

What to expect

Bright, clean, and propulsive. The piece moves forward with buoyant energy that feels both Baroque in spirit and immediately accessible to modern ears. There's an effortless quality to the melodies that makes singers want to lift the line and keep phrases moving.

Who it's for

This arrangement serves 2-part treble choirs with developing musicianship. Middle school groups and early high school ensembles will find manageable ranges and straightforward part independence, while community and adult choirs can appreciate the musical substance without requiring extensive rehearsal time.

How to get the most out of it

  • Lean into the rhythmic energy from measure one. This piece thrives on clarity and forward motion rather than weightiness, so keep articulation light and maintain steady pulse work throughout.
  • If using the optional flute parts, balance them carefully in rehearsal so they enhance rather than overshadow the vocal line. A single flute doubling per part often works better than doubling both.
  • Shape the dynamic variations marked in the score as architectural features, not afterthoughts. These contrasts define the piece's form and keep longer sections from feeling static.

How to use it

Open a concert with this to establish an upbeat, engaging tone from the first moments. Pair it with Renaissance works or lighter contemporary pieces to build a coherent first half, or use it as a palate cleanser between heavier selections. The 12-page octavo length keeps it manageable for spring festivals where rehearsal time is limited.

Skills your students will build

  • Singing sustained lines with clear articulation in Baroque style
  • Maintaining independence in 2-part writing while blending with ensemble
  • Reading and responding to dynamic contrast as structural signaling
  • Balancing treble range awareness with consistent vocal support

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