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Rhythm of the Nations: Brass Quintet Score & Parts

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Rhythm of the Nations Cover Image

Rhythm of the Nations: Brass Quintet Score & Parts

Shanta Rasa

By David Marlatt

Item: 81-BQ29316

$15.00
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Description
This is some international flavor for brass quintet. This piece was inspired by the traditional classical music of South India, carnatic music. Using a South Indian scale as the bass, the trumpets and horn play various melodic lines above a drone created by the low brass. Something different for quintet.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 10
ISBN10: 1-55473-440-1
ISBN13: 978-1-55473-440-5
UPC: 685462014415
SKU: 81-BQ29316
Instrumentation: Brass Quintet

More about this title

Why we love this

Marlatt opens a genuine door to Carnatic music for brass players without requiring them to navigate unfamiliar terminology or surrender the ensemble blend that makes quintet playing rewarding. The writing respects both the source tradition and the acoustic properties of brass, letting each player contribute to a texture that feels fresh rather than gimmicky.

What to expect

Hypnotic and layered, with the drone creating a meditative anchor while the upper voices dance across it with rhythmic and melodic independence. The piece evokes the patient, intricate counterpoint of Carnatic music while maintaining the warmth and blend that brass players expect from their ensemble sound.

Who it's for

Brass quintet ensembles seeking repertoire that expands their musical vocabulary without requiring a dramatic shift in playing fundamentals. High school and college quintets will find the piece accessible; contest and festival programs benefit from the distinctive cultural grounding and moderate difficulty level.

How to get the most out of it

  • Treat the low brass drone as a living foundation, not a static pad. Slight dynamic breathing keeps it engaged and prevents it from disappearing into the background.
  • Balance the trumpet and horn melodic lines so one doesn't dominate. These voices share equal weight in the musical conversation, even when they move at different rhythmic densities.
  • Approach the South Indian scale with the same care you'd give to any unfamiliar harmonic language. Intonation becomes more noticeable when players are less familiar with the interval relationships.
  • Record a run-through early in rehearsal. Hearing yourself navigate the rhythmic and harmonic terrain helps the ensemble internalize the piece's logic faster than score study alone.

How to use it

Program this alongside more conventional Western quintet fare to demonstrate your ensemble's range and curiosity. It works particularly well at contests and festivals where adjudicators value artistic risk and cultural awareness, and it sparks genuine interest from audiences unfamiliar with world music traditions.

Skills your students will build

  • Intonation in non-traditional scale systems
  • Independent melodic line playing within an ensemble texture
  • Listening to and supporting a harmonic drone
  • Rhythmic independence while maintaining ensemble cohesion
  • Sustained tone production and dynamic control

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