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Rhapsody on Cue: Jazz Ensemble Conductor Score

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Rhapsody on Cue Cover Image

Rhapsody on Cue: Jazz Ensemble Conductor Score

By Ryan Fraley

Grade: 3-4

Item: 98-HX9007S

$8.00
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Description
Here's an ebullient and flashy solo feature for clarinet and big band. The ensemble swings brightly with intricate but accessible orchestrations while the bouncy solo shines with riffs and glissandi. A transcription of the improvised portion of the solo is provided. The top trumpet note is A. This is serious literature for any clarinetist to consider!

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Additional Details
Series: HXmusic
Publisher: HXmusic
SKU: 98-HX9007S

More about this title

Why we love this

Fraley captures the essential appeal of big band writing: an energetic ensemble backdrop that swings hard while featuring a clarinet soloist with real personality. The orchestrations balance sophistication with playability at grades 3-4, so your section doesn't get lost in the shuffle while your featured clarinetist gets genuine star treatment.

What to expect

Ebullient and swinging, with the energy of classic big band writing filtered through a modern lens. The clarinet soars over the ensemble with bouncy riffs and glissandi that feel both polished and playful.

Who it's for

Conductors fielding a solid jazz ensemble with a capable clarinetist who relishes a solo spotlight. This works equally well as a feature for a talented student soloist or as a contest piece where the ensemble arrangement supports rather than buries the featured voice.

How to get the most out of it

  • Lock in the ensemble swing feel before spotlighting the clarinet solo. A tight, relaxed groove from the rhythm section makes the soloist's riffs and glissandi land with impact.
  • Use the provided transcription of the improvised solo passage as your starting point, then encourage the clarinetist to explore variations once the melody feels secure. The written version is a roadmap, not a cage.
  • Balance the top trumpet part (A) carefully in the ensemble so it sits cleanly without overshadowing the clarinet line. Clear section voicing helps the big band texture breathe.

How to use it

Feature this on a winter or spring concert when your ensemble has built solid ensemble cohesion and your clarinetist is ready to own the stage. The piece works especially well in a mixed program pairing classical and jazz literature, or as a strong closer that sends the audience out smiling.

Skills your students will build

  • Executing swing eighth-note articulation and phrasing across the ensemble
  • Trading the solo voice between ensemble and featured clarinetist while maintaining groove
  • Playing glissandi with control and musical intent
  • Balancing upper trumpet voicings in a jazz orchestration
  • Responding to and supporting an improvisation-inspired solo line

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