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Revolution: Concert Band Conductor Score & Parts

$110.00 USD
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Revolution: Concert Band Conductor Score & Parts

Scherzo for Band

By Erik Morales

Grade: 5

Item: 98-B1260

$110.00
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Description
Be immersed in a sea of swirling colors with this bold and exciting new scherzo for band. The furious 3-beat pulse evokes images of spiraling colors and dark, passionate and intense moods. Animated rhythms give way to a poignant hymn introduced and concluded by a piccolo solo in a contrasting lyrical section. Spiraling once again into a juxtaposition of themes, the work combines excellent percussion writing, soaring melodies, and great counterpoint to drive the piece to a furious and spectacular finish!

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Additional Details
Series: FJH Symphonic Band
Publisher: The FJH Music Company, Inc.
UPC: 674398217557
SKU: 98-B1260

More about this title

About the Composer: Erik Morales

Erik Morales

Erik Morales has built a prolific career writing across classical, jazz, and commercial idioms since his high school days in south Florida, when his former band director first asked him to arrange marching band music in 1985. He holds degrees from Florida International University and the University of Louisiana, Lafayette, and has now published over 150 works performed globally by wind ensembles, orchestras, jazz groups, and chamber musicians.

As a trumpeter himself, Morales has earned particular recognition for his contributions to the trumpet repertoire. His trumpet ensemble works have taken first place at the 2006 and 2008 National Trumpet Competitions, and his Concerto for Trumpet in C and Piano premiered at the 2009 International Trumpet Guild conference. A 2016 inductee into the Louisiana Association for Jazz Education's Hall of Fame, he continues to balance artistic merit with pedagogical accessibility, regularly receiving commissions from schools and organizations across the country.

Why we love this

Morales understands how to write for advancing ensembles without sacrificing musical substance. The swirling energy and bold contrasts here feel fresh rather than predictable, and the strategic placement of that piccolo-accompanied hymn gives your ensemble a genuine moment of beauty before the final surge. For a Grade 5 contest piece, this delivers the complexity and color that festivals expect while staying within reach of dedicated student musicians.

What to expect

Revolution spins between intensity and introspection. The furious opening establishes a restless energy that feels almost chaotic, but the hymn section pulls you into something intimate and sustained. When the spiraling returns, it feels less like repetition and more like the piece has cycled back transformed, building toward an explosive climax that justifies all the color and motion that came before.

Who it's for

Concert bands at the Grade 5 level aiming for a piece with genuine artistic substance and contest appeal. Ensembles with solid fundamentals can handle the rhythmic complexity and layered textures here, and directors looking for repertoire that challenges without overwhelming will find what they need.

How to get the most out of it

  • Establish the 3-beat pulse as a governing force from the opening. The spiraling rhythms depend on this foundation staying rock-solid, especially when overlapping figures enter.
  • Feature the piccolo soloist generously in rehearsals during that hymn section. This is a moment where one voice carries the emotional weight, and the rest of the band must listen and support rather than compete.
  • Balance the counterpoint carefully in the final section. Morales layers multiple themes here, so mark who has the primary voice in each phrase and ensure the secondary voices sit underneath dynamically.
  • Let the percussion writing breathe. The "excellent percussion writing" mentioned in the program notes deserves clarity and precision; these players are driving the momentum forward.

How to use it

Program this as a concert centerpiece or festival opener that demonstrates your band's technical and musical range in a single piece. Its dramatic arc and strong finish make it equally effective as the final work on a spring concert where you want to send the audience out energized.

Skills your students will build

  • Sustained 3-beat pulse clarity under complex overlapping rhythmic figures
  • Balance between multiple melodic lines in contrapuntal writing
  • Dynamic contrast between intense and lyrical sections
  • Precision in layered percussion parts
  • Ensemble listening during solo passages (piccolo-accompanied hymn)
  • Control of accelerating and decelerating energy within a single movement

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