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Resplendence: Concert Band Conductor Score

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Resplendence: Concert Band Conductor Score

By William Owens

Grade: 1.5;2

Item: 98-B1696S

$13.00
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Description
With brilliant woodwind passages, colorful percussion and a strong melodic statement, this exciting work draws inspiration from the music of the early Greek Orthodox Church. The music is largely characterized by its brisk, free-flowing quality. As the melodic content passes through several sections of the ensemble, many variations in style and tonal color can be heard. Outstanding!

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Additional Details
Series: FJH Developing Band
Publisher: The FJH Music Company, Inc.
UPC: 241444519554
SKU: 98-B1696S

More about this title

About the Composer: William Owens

William Owens

William Owens (b. 1963) grew up in Gary, Indiana, and trained at VanderCook College of Music. Over the past three decades, he has established himself as a prolific and pragmatic voice in young band composition, with more than 300 works to his name across concert band, string orchestra, and small ensemble settings. His music regularly appears on festival required lists and in educational curricula across North America.

Owens brings to his composing the insight of a band director who spent 30 years in the classroom. He is an active clinician and guest conductor, holds membership in ASCAP and Phi Beta Mu International Bandmasters Fraternity, and has received commissions from the American Bandmasters Association and other prestigious organizations. He was recognized as a Distinguished Alumnus by VanderCook and received the Texas Bandmasters Association's Meritorious Achievement Award.

Why we love this

Owens understands the developing band's needs precisely because he taught one. Resplendence delivers the musical substance and textural variety that keep young players engaged without overwhelming them technically, making it equally valuable as a festival selection or a concert centerpiece that builds confidence.

What to expect

Resplendence unfolds with a sense of refinement and movement. Drawing on early Greek Orthodox Church music, it carries an almost liturgical dignity while remaining accessible and spirited. As the melody travels through the band, the shifting timbral colors and free-flowing phrasing create an impression of light and space, making the piece feel larger than its technical demands.

Who it's for

Band directors working with Grade 1.5–2 ensembles who want a concert piece that sounds mature without excessive technical demands. The work suits developing bands seeking repertoire with genuine musical substance, melodic appeal, and the kind of ensemble writing that helps young players learn how to listen and balance across sections.

How to get the most out of it

  • Shape the woodwind passages with clear phrase contours. The writing invites transparency, so avoid heavy vibrato and let individual lines speak distinctly as they pass through the sections.
  • Balance the percussion strategically so it adds color without masking the melodic content. Particularly in transitional moments, the percussion should enhance rather than dominate.
  • Maintain the brisk, flowing quality throughout. Resist the urge to conduct too heavily; light articulation and clear releases will preserve the work's energy and elegance.
  • Emphasize the harmonic shifts as the melody moves among sections. Small adjustments in tempo or dynamic intensity at these transition points highlight the compositional architecture without disrupting continuity.

How to use it

Program this as an opening or second piece on a concert when you want to establish musicality and ensemble cohesion right away. Its moderate length and bright character also make it an excellent festival selection for bands developing their artistry. Use it early in the season as a vehicle for teaching phrase shape and sectional balance before tackling more complex repertoire.

Skills your students will build

  • Phrasing and breath placement across lyrical melodic lines
  • Sectional balance and listening skills in ensemble writing
  • Tonal control in brisk, flowing passages
  • Transitioning smoothly between contrasting timbral colors

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