Requiem, Op. 48 (final version, 1900) Cover Image

Requiem, Op. 48 (final version, 1900): Mass, Full Orchestra Accompaniment, Full Score

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Requiem, Op. 48 (final version, 1900) Cover Image

Requiem, Op. 48 (final version, 1900): Mass, Full Orchestra Accompaniment, Full Score

By Gabriel-Urbain Faure

Item: 36-A259801

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Gabriel Fauré "Requiem" is the best known of the composer’s large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest." Though first written in 1887-88, this final version for full orchestra was completed in 1900, and it is this version that was performed at Fauré’s own funeral in 1924. Instrumentation: Soli Sop. and Bar: Mixed Choir: 2.0.2.2: 4.2.3.0: Timp: Hp.Org: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887085-3
ISBN13: 978-1-63-887085-2
UPC: 660355019623
SKU: 36-A259801
Instrumentation: Soli Sop. and Bar: Mixed Choir: 2.0.2.2: 4.2.3.0: Timp: Hp.Org: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Gabriel-Urbain Faure

Gabriel Fauré (1845–1924) stands among the finest composers of the late Romantic era, known for his refined harmonic language and gift for intimate musical expression. As director of the Paris Conservatoire and a prolific composer across all genres, Fauré shaped French musical taste for decades; his chamber music, art songs, and orchestral works remain cornerstones of the repertoire. The Requiem, his most celebrated large-scale work, emerged not from personal grief but from his lifelong meditation on faith and the human longing for peace.

Why we love this

Fauré's Requiem stands apart from the grand, dramatic requiem tradition. Instead of terror and judgment, he offers a luminous, contemplative work that speaks to singers and listeners with gentle dignity. The 1900 orchestration transforms the work into something expansive yet intimate, making it ideal for choirs seeking a sacred program piece that demands real musicality without relying on spectacle.

What to expect

Fauré's Requiem radiates a quiet assurance rather than anguish. Lyrical melodies float over shimmering orchestral textures; the harmonic language is both modern and deeply human, invoking both prayer and peace. The work feels less like a dramatic confrontation with death and more like a gentle affirmation of rest and eternal light.

Who it's for

This score is for experienced choral conductors with access to a full orchestra, professional or advanced amateur soloists (soprano and baritone), and a capable mixed choir comfortable with Romantic chromatic harmony. Programs seeking a major sacred work that offers both emotional depth and compositional sophistication will find the 1900 version essential.

How to get the most out of it

  • Balance the soprano and baritone soloists carefully against the choir; they should emerge as individual voices within the texture, not dominate it. Fauré's scoring often floats them above the ensemble, so rehearse them separately to establish independence before blending.
  • Shape phrases with long, sustained lines rather than heavy accents. The harmonic language moves through rich sonorities; conductors should allow each chord time to breathe and resonate.
  • Attend to intonation in the choir parts, particularly in suspended and altered harmonies. Fauré's chromatic writing can obscure the tonal center; sectional warm-ups on the most exposed harmonic passages will pay dividends.
  • Coordinate closely with the organ and harp players. These instruments provide harmonic color and structural support; their balance with the orchestra and voices determines the overall warmth and transparency of the sound.

How to use it

Program this as the centerpiece of a memorial or spring concert where its introspective character deepens the overall program arc. Pair it with shorter sacred works by Fauré or his contemporaries to create a coherent evening of French Romantic spirituality. The work's modest but refined orchestration also makes it suitable for events honoring composers or exploring the evolution of sacred music in the late nineteenth century.

Skills your students will build

  • Singing sustained lines over complex harmonic progressions without loss of pitch center
  • Interpreting Romantic-era harmonic language, including suspension, chromaticism, and modal inflection
  • Responding to subtle conducting gestures and finding independence within an orchestral texture
  • Balancing choral blend with clean diction across extended vowels and legato passages
  • Understanding the role of organ and harp within a full orchestral accompaniment

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