Renaissance: Selected Favorites Transcribed for Guitar Cover Image

Renaissance: Selected Favorites Transcribed for Guitar: Guitar Book

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Renaissance: Selected Favorites Transcribed for Guitar Cover Image

Renaissance: Selected Favorites Transcribed for Guitar: Guitar Book

Light Classics Arrangements for Guitar

Transcr. Howard Wallach

Level: Intermediate

Item: 00-43652

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Description
Intended for both working guitarists and those who play strictly for the enjoyment of great music, this collection of Renaissance favorites transcribed for guitar will add something special to any party or social gathering. Including popular pieces such as John Dowland's "Orlando Sleepeth," "Tarleton's Riserrectione," and "Mrs. Winter's Jump," Luis de Milán's "Pavan I" and "Pavan III," and Luis de Narváez's "Diferencias sobre 'Guárdame las Vacas,'" this edition will provide a repertoire of crowd-pleasing Renaissance tunes for any event. A special section about plucked instruments of the Renaissance is included to make this book more useful and enjoyable to own.

Titles: Canarie * A Toy * Almain * Tarleton's Riserrectione * Orlando Sleepeth * Mrs. White's Nothing * Allemande * Mrs. Winter's Jump * Italian Dance * Mrs. Nichol's Alman * Branle * Volte * Go From My Window * Il Bianco Fiore * Pavan I * Diferencias sobre "Guárdame las vacas" * Pavan III.

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Additional Details
Series: Alfred Classical Guitar Masterworks
Publisher: Alfred Music
Page Count: 32
ISBN10: 1-4706-1786-2
ISBN13: 978-1-4706-1786-8
UPC: 038081492391
SKU: 00-43652

More about this title

About the Arranger: Howard Wallach

Howard Wallach has built a reputation as a thoughtful arranger of classical music for guitar, with particular expertise in making historical repertoire accessible to modern players. His work centers on preserving the character of original compositions while respecting the unique sonic and technical possibilities of the guitar.

Why we love this

Wallach's transcriptions capture the essential character of these Renaissance pieces while respecting the guitar's natural voice. The collection strikes an unusual balance between historical integrity and genuine accessibility, making it possible to play authentic Renaissance music at a social gathering without sacrificing musical substance. The included section on Renaissance plucked instruments enriches the experience beyond simple note-reading.

What to expect

These pieces evoke the dance halls and courts of the Renaissance: elegant, rhythmically alive, and deeply human in their melodic simplicity. There's a directness to Renaissance music that feels both ancient and immediately accessible, with dance rhythms that invite movement and melodies that linger in memory long after you finish playing.

Who it's for

Intermediate guitarists who want to expand beyond the typical classical repertoire into historically grounded material that remains genuinely enjoyable to play. This collection serves both serious students seeking historical knowledge and recreational players looking for sophisticated repertoire suitable for social settings.

How to get the most out of it

  • Pay attention to the rhythmic freedom inherent in Renaissance dance forms; allow slight tempo flexibility within phrases rather than maintaining metronomic precision throughout.
  • Experiment with tone production across the repertoire. Pieces like the pavans benefit from a warmer, fuller sound, while dances like the canarie and volte call for clarity and lightness.
  • Study the historical context provided in the book's instrument section before performing; understanding the original social function of each dance informs phrasing and character choices.

How to use it

These transcriptions work beautifully as opening or closing pieces for recitals, particularly when programming spans multiple centuries. Many guitarists also find them ideal for background music at events and gatherings, exactly as the collection intends, creating an atmosphere of refinement without demanding silent attention.

Skills your students will build

  • Playing Renaissance dance forms with appropriate rhythmic character and articulation
  • Ornamentation and phrasing techniques suited to Renaissance aesthetics
  • Sight-reading moderate harmonic complexity across varied historical contexts
  • Tone control and dynamic shaping to differentiate between ceremonial dances and faster, lighter pieces

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