Reinecke: Ten Little Pieces (Petits Morceaux), Op. 122A: Viola Book
By Carl Reinecke
Item: 00-PK-0003861
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Description
A collection of ten violin solos with piano accompanitment composed by Carl Reinecke and edited by Emil Kreuz.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Reinecke: Ten Little Pieces (Petits Morceaux), Op. 122A: Viola Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Kalmus Edition
Publisher:
Alfred Music
Page Count:
36
SKU:
00-PK-0003861
More about this title
About the Composer: Carl Reinecke
Carl Reinecke (1824, 1910) was a German composer, conductor, and pedagogue whose career spanned the full arc of the Romantic era. He held prestigious positions across Europe, including leadership roles at the Leipzig Conservatory and the Gewandhaus Orchestra, where he shaped generations of musicians through both his teaching and his conducting. Reinecke's compositional voice balanced lyrical melody with structural clarity, making him a natural fit for educational repertoire without sacrificing artistic substance.
Why we love this
Reinecke's gift for writing accessible yet sophisticated string literature shines in these ten pieces. Each morceaux stands alone as a complete musical thought, making this collection ideal for building a recital program or selecting individual teaching repertoire without committing to a longer sonata cycle.
What to expect
These pieces capture the Romantic spirit of intimate salon music. Reinecke's writing is lyrical and direct, favoring singing melodies and gentle harmonic colors over virtuosity. The emotional world feels warm and personal, inviting rather than intimidating.
Who it's for
This collection suits intermediate to advanced violists seeking repertoire that develops musicality without extreme technical demands. Studio teachers value these pieces for students ready to move beyond elementary methods but not yet prepared for major concerto literature.
How to get the most out of it
- Shape each piece around its central melodic line; Reinecke's textures are lean, so every note in the viola part carries weight.
- Balance the piano accompaniment carefully, these pieces need the keyboard as true partner, not backdrop.
- Vary your vibrato and tone color between pieces to highlight the distinct character of each miniature.
How to use it
Program individual pieces as recital openers or closers to create varied moods across a concert. Use them in student recitals to demonstrate range from lyrical to playful character in a single program without requiring multiple longer works.
Skills your students will build
- Sustaining legato phrases across position shifts
- Responding musically to harmonic movement in the accompaniment
- Balancing volume and tone between forte and piano dynamics in Romantic style
- Reading and performing Reinecke's articulation and phrasing markings with expressive intent