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Really Big Words: Late Elementary Piano Sheet

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Really Big Words Cover Image

Really Big Words: Late Elementary Piano Sheet

By Edwin McLean

Item: 98-W9376

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Description
This clever solo tells a story about a child who is obsessed with really big words! Contains a variety of articulations and dynamics, playing intervals of a fifth plus a crossover in the L.H., everyone will have a good time playing and singing along to this one!

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
UPC: 674398227570
SKU: 98-W9376

More about this title

Why we love this

The narrative hook makes this piece inherently engaging for young pianists who connect with the character's enthusiasm. McLean balances storytelling with genuine technical growth, demanding articulation control and hand independence without sacrificing musicality or fun.

What to expect

Playful and conversational, with the energy of a kid genuinely delighted by the sound and power of language. The piece bounces along with personality, celebrating both the character's earnestness and the pianist's growing technical ability.

Who it's for

Late elementary pianists ready for articulation variety and simple hand independence work. This piece works well for students who respond to character-driven music and appreciate humor in their repertoire.

How to get the most out of it

  • Shape the dynamics deliberately so the story progresses. The contrast between quiet moments and louder declarations of big words carries the humor and keeps listeners invested.
  • Practice the left-hand crossover in isolation first, then integrate it slowly with the right-hand line. This technical moment deserves attention so it doesn't derail the narrative flow.
  • Experiment with tempo: slight flexibility during the character's excited moments about vocabulary can enhance the storytelling without losing rhythmic clarity.

How to use it

Ideal as a lighter moment in a studio recital or student showcase, where it can follow a more serious piece and reset the audience's energy. Works equally well as a fun etude in the practice room when students need to work on articulation and dynamics without feeling like technique work.

Skills your students will build

  • Articulation control (staccato, legato, and accent)
  • Dynamic shaping and contrast
  • Left-hand independence and hand crossover
  • Interval recognition and execution (fifths)
  • Musical storytelling through phrasing

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