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Real Repertoire Piano Duets for Grades 4-6: Piano Duet (1 Piano, 4 Hands) Book

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Real Repertoire Piano Duets for Grades 4-6: Piano Duet (1 Piano, 4 Hands) Book

Ed. Christine Brown

Level: Early Intermediate / Late Intermediate

Item: 12-0571531407

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Description
The Real Repertoire series introduces players to a wealth of original works by the great composers. The volumes are carefully selected and edited by leading piano teacher and pedagogue Christine Brown, and contain timeless masterworks and unmissable modern pieces to encourage and inspire. Helpful background notes on the composers are also included.

Titles: Andante From Sonata in D K. 381 (Wolfgang Amadeus Mozart) * Allegro Molto from Sonata in D Op. 6 (Ludwig Van Beethoven) * Sonatina Op. 3 No. 1 (Carl Maria Von Weber) * Polonaise Op. 149, No. 23 (Anton Diabelli) * Allegro in E Minor Op. 149, No. 28 (Anton Diabelli) * Waltz in A Op. 39, No. 15 (Johannes Brahms) and more.

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Additional Details
Series: Faber Edition: Trinity Repertoire Library
Publisher: Faber Music
ISBN10: 0-571-53140-7
ISBN13: 978-0-571-53140-0
UPC: 9780571531400
SKU: 12-0571531407

More about this title

About the Creator: Christine Brown (editor)

Christine Brown is a respected piano pedagogue whose editorial work has shaped how generations of students encounter the classical repertoire. Her selections prioritize pieces that balance musical substance with genuine learning value, creating collections where students play works that matter rather than simplified arrangements.

Why we love this

The repertoire here spans genuine masterworks without requiring students to wait years before accessing real Mozart and Beethoven. Each duet arrangement preserves the integrity of the original while distributing the texture in ways that let both players feel like soloists, which matters enormously for engagement and motivation.

What to expect

Playing these pieces feels like stepping into a conversation with composers across centuries. The writing is elegant and purposeful rather than cute or overly simple; you're making music that stands on its own rather than practicing through a transcription.

Who it's for

Students in upper elementary through early middle school who are ready for genuine repertoire but still benefit from shared piano responsibility. This collection works equally well for advanced younger players looking for duet partners and for students building confidence with canonical works.

How to get the most out of it

  • Balance the primo and secondo parts as equal voices rather than treating one as accompaniment; these are conversations between two players.
  • Work separately on each part first to secure the individual writing, then gradually reduce rehearsal time together so you're solving ensemble problems rather than just learning notes.
  • Use the composer background notes to ground your interpretive choices; knowing the context of a Brahms waltz or a Beethoven sonata shape how you'll shape phrasing and dynamics together.

How to use it

Feature these in a recital that celebrates ensemble playing, or use individual selections as rewards when students reach specific milestones in their method books. They also serve as natural bridges when students begin exploring sonatas and multi-movement works in earnest.

Skills your students will build

  • Playing in parallel and contrary motion across treble and bass registers
  • Coordinating two independent melodic lines (following a lead while supporting)
  • Phrase shaping and expression in classical forms (sonata movements, waltzes, polonaises)
  • Listening actively to a partner and adjusting balance in real time
  • Reading works by canonical composers in their original voice

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