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Ready to Sing... Folk Songs: Vocal Acc. CD

$16.99 USD
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Ready to Sing . . . Folk Songs Cover Image

Ready to Sing... Folk Songs: Vocal Acc. CD

Ten Folk Songs, Simply Arranged for Voice and Piano, for Solo or Unison Singing

Ed. Jay Althouse

Item: 00-17174

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Description
A collection of 10 folk songs arranged for voice and piano in a simple style appropriate for beginning soloists, unison classroom singing, and elementary choral groups. Included are reproducible melody-line song sheets for each song. Easy piano accompaniments strongly support the melody, and vocal tessituras are moderate; most have an octave range. Titles: All Through the Night * Li'l Liza Jane * Siyahamba * Scarborough Fair * Skye Boat Song * The Water Is Wide * Ma Bella Bimba * Poor Wayfaring Stranger * Oh, Susannah * De Colores.

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Additional Details
Series: Ready to Sing
Publisher: Alfred Music
UPC: 038081174013
SKU: 00-17174

More about this title

Why we love this

The piano writing here actually enhances rather than overwhelms, which is rare in collections aimed at beginners. Each arrangement respects the melody's primacy while giving pianists enough harmonic substance to stay engaged, making this genuinely rewarding for mixed-ability duets.

What to expect

Unpretentious and grounded, these arrangements breathe with the ease of songs people actually sing around tables and campfires. There's room to interpret, to linger, to find your own voice within each melody rather than execute a complicated musical statement.

Who it's for

Elementary choir directors who need material students can sing independently after just a few rehearsals, plus classroom music teachers looking for song sheets that students can take home to practice. Voice teachers working with young soloists will appreciate tessituras that sit naturally without excessive range demands.

How to get the most out of it

  • Isolate the melody line during initial rehearsals using just the recording, then layer in piano accompaniment once singers have the tune secure.
  • Let the recorded accompaniment set a comfortable tempo first; many teachers make folk songs too slow, which loses their conversational quality.
  • Pair unison classroom singing with partner songs from different cultural traditions on this list to build awareness of how folk music travels and transforms across regions.

How to use it

Weave these across the year as opening numbers or concert closers that audiences recognize and enjoy; their familiarity invites listening rather than musical complexity. The mix of cultures and stories makes them excellent anchors for thematic concerts celebrating global traditions, or natural partners for folk-adjacent chamber repertoire.

Skills your students will build

  • Sustaining legit tone over moderate ranges (most melodies span an octave)
  • Reading and interpreting simple melodic phrasing without baroque ornamentation
  • Accessing piano accompaniment as a learning tool and performance partner
  • Singing unison in ensemble settings with textual clarity across multiple languages

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