Razzberry Waltz Cover Image

Razzberry Waltz: Concert Band Conductor Score & Parts

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Razzberry Waltz Cover Image

Razzberry Waltz: Concert Band Conductor Score & Parts

By Dan Adams

Grade: 1

Item: 36-20100748

$50.00
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Description
Apty named because of the use of tutti 'razzberries,' which the band will perform in rhythm, this waltz is quirky, humorous, and above all, fun. Intentional dissonance, unusual sounds, and clever special effects combine with the catchy melody in an engaging and enjoyable fashion, certain to catch the ear of everyone.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134207-9
ISBN13: 978-1-57-134207-2
UPC: 660355036620
SKU: 36-20100748
Instrumentation: Band

More about this title

About the Composer: Dan Adams

Dan Adams

Dan Adams spent nearly thirty years directing the band and orchestra programs in the Wooster City Schools in Wooster, Ohio, where he also served as Instrumental Music Coordinator. Before settling in Ohio, he taught instrumental music at Mount Anthony Union High School in Bennington, Vermont. He holds a Bachelor of Music Education from The Ohio State University (trombone) and a Master of Music in Band Conducting from Northwestern University, where he studied under John Paynter.

Adams has built a distinguished career as an adjudicator, brass performer, and conductor with deep roots in professional music organizations including the Ohio Music Education Association, NAfME, ASCAP, the College Band Directors National Association, and the American Federation of Musicians. His compositions have been performed internationally, featured at prominent festivals including The Midwest Band Clinic and the Western International Band Clinic, and recognized in Bandworld's Top 100 and multiple J.W. Pepper Editors' Choice awards.

Why we love this

Razzberry Waltz proves that Grade 1 repertoire doesn't have to be plain. The intentional use of vocal percussion and quirky sound effects elevates what could be a standard novelty into something that genuinely delights players and audiences alike, while the straightforward Grade 1 demands mean your ensemble can focus on committing to the humor rather than fighting the notes.

What to expect

Playful and deliberately odd in the best way. The waltz framework gives it a structured, almost classical foundation, but Adams undercuts that elegance with unexpected sounds and rhythmic humor that keeps listeners off balance and smiling. It's the kind of piece that stays memorable long after the concert ends.

Who it's for

Any Grade 1 concert band looking to program something that keeps audiences engaged while maintaining musical integrity. Beginning and intermediate bands benefit from the straightforward technical demands, which allow them to concentrate on ensemble balance, rhythmic precision, and stylistic commitment.

How to get the most out of it

  • Prepare the razzberry sections in isolation first. Have the band vocalize and practice the rhythmic articulation before playing it on their instruments; precision here is what sells the joke.
  • Embrace the dissonance intentionally. These moments aren't mistakes; conduct them with the same clarity and confidence you'd give to any other musical moment so the band commits fully to the sound.
  • Balance the special effects against the melody. The catchy tune is what anchors the piece musically, so keep the unusual sounds as texture and accompaniment rather than letting them overshadow the main line.

How to use it

Perfect as a mid-concert palate cleanser between more traditional repertoire, or as a closer when you want to send the audience out laughing. This works especially well on family concerts or informal spring programs where the audience expects some levity alongside the more serious selections.

Skills your students will build

  • Rhythmic precision and ensemble synchronization with non-pitched percussion effects
  • Stylistic commitment to novelty and humorous musical intent
  • Balance and blend when special effects are combined with melodic material
  • Focus and attention to conductor cues during unusual or unexpected musical moments

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