Rasa (Mixed Voices): Mixed Voices (SSSAATBB)

Jekabsone crafts something genuinely theatrical here; the rhythmic drive in the outer sections plays against a tender lyrical core, giving your singers both energy and intimacy to inhabit. The folk drum adds textural dimension without overwhelming the voices, and the expanded soprano line (three parts) creates shimmer and depth that feels contemporary without losing connection to Latvian musical roots.

Rasa opens with restless, shimmering energy and forward momentum, suggesting morning light breaking through mist. The middle section draws back into reflection and warmth, a moment of stillness, before the piece springs back to life with renewed clarity and purpose. It feels both rooted in place and full of possibility.

Mixed choirs with access to a percussionist comfortable with folk drumming and singers who can sustain pitch-specific lines within expanded voicing (three sopranos across SSSAATBB). The eight-part texture and rhythmic sophistication make this suitable for high school and university choirs with secure ensemble skills.

• Bring out the rhythmic precision in the opening and closing sections through clean articulation and tight ensemble work; the vivacious character depends on crisp attacks and releases rather than heavy dynamics.
• Shape the middle lyrical section with genuine legato and allow space for voices to bloom; this contrast will make the return to rhythmic energy land with maximum impact.
• Balance the three soprano lines carefully so each registers without one dominating; they should blend into a single lustrous sound rather than sound like competing lines.
• Work with your percussionist to ensure the folk drum sits in the texture as a partner to the voices, not as an accompaniment; the rhythm section conversation matters as much as the vocal melody.

This works beautifully in a program celebrating new beginnings or seasonal transitions; it pairs well with other choral music that engages folk traditions or explores nature imagery. Consider it for spring concerts, anniversary celebrations, or any program centered on renewal and growth.

• Reading expanded soprano divisi (three parts) within eight-part texture
• Sustaining rhythmic precision across contrasting sections (vivacious to lyrical)
• Blending soprano lines to create unified sonority rather than individual lines
• Responding to percussion integration as a harmonic and rhythmic partner
• Shaping lyrical phrases within a rhythmically active musical context