Rainbow Fish - Piano Solo with Lyrics: Piano Solo with Lyrics
7 All-New Elementary Piano Solos for Bean Bag Animal Lovers
By Catherine Rollin
Level: Elementary
Item: 00-PS-0017584
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Description
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More about this title
About the Composer: Catherine Rollin

Catherine Rollin balances an active performance schedule with mentoring students who consistently earn festival recognition. She holds degrees from the University of Michigan (Bachelor of Musical Arts with distinction) and Oakland University School of Performing Arts (Master of Music), and has conducted workshops and masterclasses across North America and Asia, reaching audiences in over 200 cities.
Rollin's compositional work has earned commissions from Clavier Companion, the Music Teachers National Association, and the Michigan Music Teachers Association. She served as a judge for the MTNA Student Composition Competition and the Lynn Freeman Olson Composition Contest, and premiered Suite Detroit (flute, alto saxophone, and piano) at the 2018 MTNA national conference. Her ASCAP award-winning Museum Masterpieces series has been featured in concert presentations and represents the breadth of her work spanning from elementary pedagogy to advanced chamber music.
Why we love this
Rollin anchors each piece to a specific physical or emotional image, giving young pianists concrete language for technique. The staccato frog and legato rainbow fish aren't cute window dressing; they're teaching tools that help students internalize what the music needs to sound like. This collection hits that sweet spot where imaginative storytelling and solid musical craft reinforce each other.
What to expect
Playful and imaginative, with a gentle sophistication underneath. The music bounces and floats as promised, but never feels precious or forced. There's room in these pieces for genuine personality and joy.
Who it's for
Elementary piano students ready to move beyond mechanical note reading and engage with expressive playing through narrative. Teachers seeking accessible yet musically substantial repertoire that rewards careful listening and intentional shaping. Festival participants preparing for 2024-2028 events.
How to get the most out of it
- Establish the character before playing. Have students close their eyes and picture the animal or image, then play a few measures. This primes the kinesthetic memory and makes the technical request feel natural rather than imposed.
- Record the piece and listen back as an audience member. Young players often can't hear themselves objectively while performing; a playback reveals where the legato is working and where staccatos need more definition.
- Experiment with the tempo. Rollin's choices are sound, but students benefit from trying slightly slower tempos first to build accuracy, then gradually finding the ideal speed where the character emerges without strain.
- Use the included lyrics to deepen expression. Words attached to melody lines give students another anchor for phrasing and help them commit emotionally to the storytelling.
How to use it
Feature this as a recital opener or closer; the accessible charm and clear character work well as a palate cleanser between heavier repertoire. It also pairs naturally with other narrative-driven collections in your library, creating thematic concert programming around storytelling and illustration.
Skills your students will build
- Staccato articulation with rhythmic precision and character
- Legato phrasing and smooth hand position transitions
- Connecting physical imagery to musical gesture
- Singing through the melody while accompanying with the left hand
- Reading and interpreting textual cues for expressive intent