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Rag-a-Taggle: Early Intermediate Piano Sheet

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Rag-a-Taggle Cover Image

Rag-a-Taggle: Early Intermediate Piano Sheet

By Kathy Holmes

Item: 98-S4063

$2.50
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Description
Students of all ages will enjoy this cheerful and spirited rag. Well-patterned and accessible, it falls easily under the hands.

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Additional Details
Series: Spotlight Solo Sheets
Publisher: The FJH Music Company, Inc.
UPC: 674398204991
SKU: 98-S4063

More about this title

About the Composer: Kathy Holmes

Kathy Holmes

Kathy Holmes grew up at the piano bench and maintained that connection throughout her life, even as she built a career in early childhood education and raised three children. She didn't begin composing and pursuing formal music study until her forties, earning her Bachelor's degree in Music from Hiram College in Ohio. This unconventional path gives her deep insight into what resonates with students across age groups and ability levels.

Based in the greater Cleveland area, Holmes is an active member of The Western Reserve Piano Teachers, a professional community that shapes her approach to both teaching and composition. Her work reflects years of listening to what students need: music that sits naturally under the hands, engages the ear, and builds confidence without condescension.

Why we love this

Ragtime arrangements for early intermediate students are surprisingly hard to find; most either oversimplify the syncopation until nothing raggy remains, or they demand more technique than students at this level possess. Holmes strikes the real balance here. The piece captures authentic ragtime character while respecting the hand size and reading fluency of younger pianists.

What to expect

Cheerful and spirited, with that characteristic ragtime lilt that makes audiences smile. The piece bounces along with energy and charm, never demanding intensity but delivering genuine musicality and personality.

Who it's for

Early intermediate pianists aged 8 and up will find this piece sits comfortably under their hands. It works equally well for students discovering ragtime for the first time and for those building confidence with syncopation and style-specific idioms.

How to get the most out of it

  • Keep the left-hand stride pattern consistent and mechanical in texture; let the right hand's syncopation dance over it rather than rushing to match the bass.
  • Lean into the character by allowing a slight swing feel on the syncopated figures without pushing the tempo.
  • Give the piece room to breathe at phrase endings; resist the urge to rush through passages just because they're quick.

How to use it

Pair this with other Americana or early 20th-century styles in a recital program to offer variety and showcase your student's growing stylistic range. It's also ideal for student showcases and informal performance opportunities where the piece's approachable accessibility and genuine fun factor shine.

Skills your students will build

  • Syncopated rhythmic patterns in ragtime style
  • Left-hand stride patterns and independence
  • Phrase shaping and articulation in a stylistically specific context
  • Reading and performing music with consistent rhythmic character

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