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Radiant Samadhi: Choral Book

$22.95 USD
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Radiant Samadhi Cover Image

Radiant Samadhi: Choral Book

for Eight-Part Chorus

By Chinary Ung

Item: 98-EP67893

$22.95
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Description
Radiant Samadhi for mixed voice choir by Chinary Ung.
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 52
ISBN10: 0-300-74764-0
ISBN13: 979-0-300-74764-4
SKU: 98-EP67893

More about this title

About the Composer: Chinary Ung

Chinary Ung is a Cambodian-American composer whose work bridges traditional Southeast Asian music with Western contemporary classical techniques. Born in Cambodia, Ung's musical language draws deeply from the timbral and spiritual qualities of his cultural heritage, particularly the gamelan and other indigenous instruments of Southeast Asia. His compositions have been performed internationally and appear in the catalogs of major publishers; he has held teaching positions and continues to be an active voice in expanding the harmonic and sonic vocabulary of contemporary choral and instrumental music.

Ung's choral writing is distinguished by his attention to texture, timbre, and the expressive possibilities of the human voice used as an instrument of color rather than merely melody. His pieces often explore extended vocal techniques and unconventional harmonic language that challenge singers to think beyond traditional tonal frameworks.

Why we love this

Radiant Samadhi brings a genuinely fresh harmonic and textural palette to the mixed choir repertoire. Ung's compositional voice refuses to settle into predictable harmonic progressions or familiar choral gestures, instead creating a soundworld that rewards careful listening and engagement from both singers and audience. Programming this piece signals to your ensemble and concert attendees that your choir explores contemporary music beyond the standard art song and folk arrangement fare.

What to expect

Radiant Samadhi evokes luminosity and meditation rather than dramatic intensity. The piece creates an immersive sonic environment where timbre and texture take precedence; listeners experience a kind of sustained focus and introspection. The musical language is contemporary yet rooted in something spiritual and ancient, producing a soundworld that feels both unfamiliar and oddly grounded.

Who it's for

This choral book is designed for mixed choirs comfortable with contemporary classical music and extended vocal techniques. Directors working with advanced high school, college, or community ensembles will find a work that challenges singers musically and opens ears to non-Western harmonic systems and compositional approaches.

How to get the most out of it

  • Pay close attention to dynamic and textural shifts; Ung often uses changes in vocal density and register to shape form rather than relying on traditional harmonic cadences. Rehearse sections in isolation to clarify where the musical weight should sit.
  • Approach any extended or unconventional vocal techniques with precision during early rehearsals. Ung's use of timbre is compositional intent, not notation flourish, so commit to whatever techniques the score requires.
  • Balance individual voice part independence against the overall sonic blend. Even when parts move independently, the composite sound should feel coherent rather than fragmented.
  • Let silence and space be as important as sound. Contemporary choral writing often uses negative space strategically; resisting the urge to fill every moment will serve the music.

How to use it

Consider pairing Radiant Samadhi with other contemporary works that expand harmonic or textural vocabulary, or program it as a centerpiece of a concert devoted to music inspired by non-Western traditions and spiritual themes. The 52-page score allows for substantial programming weight; it can anchor a set of diverse choral works or stand as part of a larger concert that juxtaposes classical and contemporary repertoire.

Skills your students will build

  • Reading and performing contemporary harmonic language and non-traditional chord structures
  • Executing extended vocal techniques with precision and intentionality
  • Balancing independent voice part movement while maintaining ensemble cohesion
  • Interpreting notational symbols and compositional directions beyond standard musical vocabulary
  • Listening actively to timbre and texture as primary compositional elements

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