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Quintology: Concert Band Conductor Score & Parts

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Quintology Cover Image

Quintology: Concert Band Conductor Score & Parts

By Richard Meyer

Grade: 2 (Medium Easy)

Item: 00-18806

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Description
The name says it all! Leave it to the ever-crafty Richard Meyer to base an entire piece on the number five. Its "quintological" features include utilizing a five-part form, including perfect fiffhs, pentatonic scales, 5/4 time, 2/4 + 3/4 time and much more. This piece is all things five! Program Quintology on your next concert and your band will have five times the fun! This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Quintology: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 268
UPC: 038081176031
SKU: 00-18806

More about this title

About the Composer: Richard Meyer

Richard Meyer

Richard Meyer brings three decades of classroom experience to his prolific composing career. He spent 35 years teaching strings across elementary, middle, and high school levels, and directed orchestras at Oak Avenue Intermediate School in Temple City, California for 22 of those years, expanding the program from 29 students to 200. His "Giving Bach" initiative, launched in 2009, has earned national recognition for using interactive concerts to reach special needs and underserved students throughout Southern California.

Beyond the classroom, Meyer has guest-conducted All-State and honor ensembles across multiple states and served as music director of the Pasadena Youth Symphony Orchestra for 16 years, leading international performances in Vienna, Australia, and Canada. A nationally recognized composer with over 190 published works and arrangements, he also spent 16 years as string editor for Alfred Publishing and co-authored the String Explorer Series and Sight-read It for Strings.

Why we love this

Meyer's mathematical approach to composition yields music that feels playful rather than cerebral. Every structural choice in Quintology serves the ensemble and the listener, not just the conceptual framework. A Grade 2 band gets genuine musical satisfaction while discovering how unity and variation work together.

What to expect

Quintology balances intellectual playfulness with genuine melodic appeal. The recurring five-fold geometry creates a sense of inevitability without becoming predictable, and the band will hear how Meyer's constraints actually expand their expressive range rather than limit it.

Who it's for

Grade 2 concert bands seeking music that entertains audiences while building musicianship through structured composition. This works equally well for contest and concert programming; the conceptual unity appeals to judges and the tuneful orchestration keeps audiences engaged.

How to get the most out of it

  • Balance the five-part form as distinct sections with contrasting character rather than treating transitions as seamless; this clarity helps younger musicians grasp the architecture.
  • Anchor the rhythmic complexity of mixed 2/4 and 3/4 measures by isolating those passages in sectional rehearsals before combining them with other parts.
  • Let the pentatonic and perfect fifth sonorities resonate; these intervals are acoustically pure and require less vibrato interference than chromatic harmony would.

How to use it

Open a concert with Quintology to set a tone of musical curiosity and craftsmanship, or place it mid-program as a palate cleanser between heavier works. Its conceptual unity makes it memorable for audiences who enjoy learning how music is constructed, and it pairs well with other works built on clear formal principles.

Skills your students will build

  • Reading mixed meters in sequence (2/4 and 3/4 measure changes)
  • Performing in 5/4 time with secure pulse
  • Recognizing and executing pentatonic scale passages
  • Identifying and balancing perfect fifth intervals
  • Hearing five-part formal structure and its role in unity and contrast

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